Moreover the shop owner is no longer upset with them and seems to be pleased with them -- implying that there may have been some financial arrangement between him and the men. Lastly, the shop owner's daughter is all but offered to Bill for sexual purposes. This behavior is certainly not in accord with conventional Western morality, and indicates that where power is concerned -- in this case in the form of money and social prestige -- sexuality and sexual acts are permitted, even with one's daughter.
Since Bill is technically a wealthy socialite in his own right, it is extremely interesting to note the occasions in which sexuality and power are used against him. Such an occurrence takes place when his wife reveals her fantasy and when he is expelled from the orgy for not having properly received an invitation and not knowing the purported second password. Yet the exposure of his lack of power also takes place when he is roaming about in the streets. This particular anecdote is valuable because it indicates that the representation of sexuality as power is not merely in the form of capital goods and social standing, but also in more conventional measures of power such as strength and numbers. On one occasion Bill encounters a pack of younger, rowdy young men who appear to be in various stages of intoxication. They verbally harass him by deriding his sexuality (they believe he is gay), and physically intimidate him with their numbers, their strength, and their overall boisterous behavior. Regardless of Bill's social standing, he is among the disenfranchised in this encounter and is subject to the power of others -- which is why he is derided as a homosexual. There are interesting correlations between this scene and this inversion of power (for Bill) and Nietzsche's The Genealogy of Morals. In defining the dichotomy between the terms "good" and "bad," Nietzsche references the fact that originally the former term applied to the wealthy aristocrats and whatever they did -- since they had the social standing and the strength, both literally and figuratively, to reinforce their superiority. This viewpoint is largely the chief moral principle which defines sexuality in Eyes Wide Shut, and validates the behavior of the socialites and their orgy. However, it is interesting that this concept is somewhat inverted as it applies to Bill in the preceding scene discussed, since Bill is technically a socialite but merely encounters stronger individuals (due to their numbers, perhaps their youth and their rowdy behavior) who are able to assert their power and reduce Bill's own sexuality as a result.
The view of sexuality as a representation of power requires...
Eyes Wide Shut and the Psychoanalytic Theory of Human Sexuality The film Eyes Wide Shut (1999) by Stanley Kubrick may be interpreted from the standpoint of human sexuality by using the psychoanalytic approach developed by Sigmund Freud. The film is, in a sense, a representation of Freud's The Interpretation of Dreams and descends by layers through the various stages of the human personality -- the Id, Ego, and Supergo. Eyes Wide Shut
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