¶ … Warrior Hero: A Stranger in a Strange Land
The figure of the hero is set apart from the common herd of ordinary men by virtue of his special qualities and abilities; in some works, this separateness is literal - he is in a strange land apart from his own kin. To see how this alienation enhances the tale of the hero's conflict, The Odyssey, Beowulf and The Tragedy of Othello, the Moor of Venice will be considered.
Odysseus, Beowulf and Othello are all warrior heroes. Odysseus, in The Odyssey, has been instrumental in the victory at Troy, and now fights to return to Ithaca and bring his men safely home; more struggles await him there. Beowulf, a great fighter who has proven his mettle in many conflicts, hears about the depredations of Grendel on Heorot Hall and journeys there to rescue Hrothgar's people. His role in the conflicts against the monster and its mother is qualitatively different from that in the one with the dragon, which occurs on his own turf. Othello has distinguished himself as a general in the service of Venice, so much so that in spite of the obvious racial discrimination of the time, he is respected and admired; as the play begins, he is preparing to defend the Venetians against the Turks.
One of the dramatic advantages of setting the hero's exploits somewhere other than in his own land is that it serves to acquaint us with his heroic abilities. In a group of strangers, first of all, introductions must be made. The hero's past adventures (in a sense a credential for the adventures yet to come) must be recited for the benefit of the new acquaintances, and by extension for the audience. Thus, Odysseus in Book IX, although modestly attempting to remain anonymous at first, recounts the tale of his adventures to Alcinous, the Phaeacian king, and his court: "What then shall I tell you first, what tell last, Since the heavenly gods bestowed many cares upon me" (Odyssey, Book IX, lines 14-15,-page 114), all of which cares he then enumerates. Beowulf, although known to Hrothgar, still in his first speech recounts his victory over the five Giants and the sea-serpents as reasons for his arrival. Unferth's taunt gives him grounds for expanding on his exploits by telling of his contest with Breca: "I had more sea-strength, outstaying Breca's, and endured underwater a much worse struggle." (Beowulf, lines 533-534,-page 68). Othello wins Desdemona's hand by letting her coax stories of his exotic exploits out of him, she having overheard bits and pieces as he told them to her father "wherein I spake of most disastrous chances, Of moving accidents by flood and field, Of hair-breadth 'scapes i' the imminent deadly breach." (Othello, Act I, Scene III, page 920). By being thus "forced" to tell their story, the audience, both fictional and actual, is apprised of the heroism and resourcefulness of the hero without his appearing to boast unduly.
The other advantage to locating the hero somewhere other than his own country is that it emphasizes his separateness. Each of the heroes is essentially a foreigner, although this aspect plays out a bit differently in each instance. Odysseus' duty is to his men and to his family; therefore, his struggles are mostly concerned with avoiding the perils that keep him from Ithaca, and he does not fight to benefit the friends he meets along the way. Still, his travels are beset by unfamiliar dangers and he must adapt himself to the countries and cultures he encounters: "He saw the cities of many man, and he knew their thought; On the ocean he suffered many pains within his heart." (Odyssey, Book I, lines 3-4,-page 3). Beowulf fights for both the Danes (the Scyldings) against Grendel and its mother, and later for his own people, the Geats, against the dragon. When Wulfgar announces Beowulf's arrival, he says to Hrothgar, "Men have come here from the country of the Geats, borne from afar over the back of the sea." (Beowulf, lines 361-362,-page 62) Othello fights for the Venetians as he has done for many years. Cassio exclaims, "Thanks, you the valiant of this warlike isle [Cyprus], That so approve the Moor. O! let the heavens give him defense against the elements, For I have lost him on a dangerous sea." (Othello, Act II, scene 1, page 923) From these quotations, it may be seen that their foreign status is stressed in each instance by the metaphor of the sea, the gulf that separates them from their kin and from the kinship of mankind.
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