However, rather than to minimize the importance of the objects, the work of these artists asked their viewers to marvel at the complexity of the objects themselves. The viewer takes these objects for granted everyday, not considering them the true art form that they represent.
Defining the Pop Art Movement
Pop art is the art of the common person, yet seldom does it appeal to the common person. Pop culture stands outside of the ordinary and views the everyday with a sense of wonder and amazement that few in the everyday world see. Both Warhol and Duchamp saw the artificial nature of the world around us. Warhol and Duchamp bring life to the mundane. However, Warhol saw his art as a commodity, as much as the objects in the paintings. Duchamp focused on his own self-expression as the sole reason for the creative act.
Duchamp's art was more conceptual than Warhol's. Duchamp considered the spectator of a piece to be a participant in the piece, rather than simply a mere observer. The same can be said of Warhol's work, in that the audience had an obligation to react to it. Both artists saw the absurdity in the world created by modern technology and both wished to express this absurdity and bring it to the forefront of public thought. They expected the audience to question themselves and the ideals that their society stood for.
It would be difficult to view Warhol's work and not see the influence of Duchamp. The work of Duchamp set the stage for pop artists such...
This is not simply unique to "Readymade," although this facet of art is brought to the forefront in this particular work. But Duchamp stresses that since "the tubes of paint used by an artist are manufactured and readymade products we must conclude that all the paintings in the world are Readymades aided' and also works of assemblage." (Duchamp, 83) How can art be so unique, asks Duchamp, within any
The rococo was aimed towards the French court and nobles. The main message was not a religious one, but aimed the upper classes and focused on their lives, houses and celebrations. In France this style gave way to the austere neoclassic style at the end of the xviii century and disappeared with the French revolution in 1978, suddenly and completely. Neoclassicism appeared as a return to the classical ideology in
"This means that there will be as many different forms of postmodernism as there were high modernisms in place, since the former are at least initially specific and local reactions against those models." One of the key transitional moments from modernism to postmodernism, frequently cited by a number of sources, is Marcel Duchamp's decision to display a urinal in an art gallery; this disruptive moment effectively shattered previous paradigms, thus
20th Century Modern Art An Analysis of Three Works of Mid-20th Century Modern Art Wassily Kandinsky helped open up the door to abstract art with his book Concerning the Spiritual in Art. A lawyer by trade and a latecomer to the art world, Kandinsky made art that was an expression of the "spiritual" side of life: an abstract representation of the world beneath the world. Kandinsky's works were everything modern art wanted to
It opposed traditional art that had been an elitist, intellectual, classy entertainment. Now it became something popular, accessible to the common people, centered on simple everyday objects that had as main target the entertainment of the viewer, rather than deep mythical, religious, philosophic concepts. Art reflected the same counterculture attitude. It rebelled against the rules of the past, contradicted them, denied them, erased them, and established a new order, contrary to
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