Walt Whitman and Herman Melville
"Crossing Brooklyn Ferry" and "Bartleby the Scrivener"
Walt Whitman's poem "Crossing Brooklyn Ferry" and Herman Melville's short story "Bartleby the Scrivener" are set in New York City during the early years of the industrial revolution, but are markedly different in tone, theme and the perceptions and feelings of the main characters. Melville's characters exist without joy, love or hope, and merely drag themselves through a life of drudgery and alienation, without making any human connections to each other or to nature. Mankind in Bartleby's world is simply trapped in a pointless existence that ends with death, and unlike Whitman's narrator they are unable to rise above this grim, mundane world or imagine a common link with others or with the past and the future. Rather than simply being tools and machines carrying out routine, white-collar tasks, Whitman's narrator finds the resources within himself to transform an ordinary scene of returning home from work into a sublime spiritual experience, in which he perceives a bond with all of mankind, past, present and future, as well as with nature and the entire universe in a way that Bartleby and his coworkers never could have imagined.
Mankind as Melville describes it in "Bartleby the Scrivener" is in a highly dismal and alienated state in urban, industrial America. Indeed, this was one of the first such stories to describe...
Whitman uses simile effectively ("The glories strung like beads on my smallest sights and hearings") and uses metaphors effectively to link himself with others that have crossed the river in the past ("The dark threw its patches down upon me also…") because he certainly wasn't and isn't perfect at all so he had a metaphor for that ("I too knitted the old knot of contrariety…"). Melville's narrator, whose work is
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