Virginia Woolf to the Light House
Biography of the author
Virginia Woolf, the British author who made efforts towards making an original contribution to the structure of the novel, was an eminent writer of feminist essays, a critic writer in The Times Lierary Supplement and the prominent person in the Bloomsbury group. Virginia Woolf was born as the daughter of Sir Leslie Stephen and Julia Jackson Duckworth in London. Her father, Sir Leslie Stephen was an eminent literary critic and her mother Julia Jackson Duckworth, belonged to the family of Duckworth Publishing. (Virginia Woolf (1882-1941) - in full Adeline Virginia Woolf, original surname Stephen) It was the second marriage for both of her parents as they were married earlier to other partners. Her father had earlier married to Thackeray, a daughter of a novelist and her mother had earlier married to Herbert Duckowrth, who was a barrister. Julia and Leslie Stephen in their subsequent marriage had four children named, Vanessa, Thoby, Virginia and Adrian. Virginia witnessed herself as having being descended from a unique male and female inheritance. Virginia had her education at home and it was provided by her father and she lived at the family home at Hyde Park Gate. She had an unrestricted access to the vast library of her father that made her from the early age to become a writer. She never had been to school and so her education was considered to be sketchy. (Virginia Woolf (1882-1941): A Short Biography)
The unexpected death of her mother during 1895 was a mental shock to her. (Virginia Woolf (1882-1941): A Short Biography) Later in 1904, after the death of her father made her to have a second breakdown and she had to move with her sister and two brothers to the house in Bloomsbury. The inheritance of £2,500 from one of her aunts brought some improvement in her economic condition. And Woolf started writing for the Times Literary Supplement from 1905. (Virginia Woolf (1882-1941) - in full Adeline Virginia Woolf, original surname Stephen) Thalland House in St. Ives, Cornwall, and St. Ives had a great role in the sphere of the imagination of Virginia, where she used to spend her long summer vacations. The required environment for most of her novels was provided by London and/or St. Ives. Virginia was married in 1912 to Leonard Woolf, a political theorist, an ex-administrator of Ceylon, which is the present-day Sri Lanka. Their marriage took place in St. Pancras Registry Office on 10 August 1912. Both of them decided to engage in writing and journalism and earn money for their living. (Virginia Woolf (1882-1941): A Short Biography)
Virginia had started writing her first novel The Voyage Out, from 1908 and the novel was initially to be known as Melymbrosia. She completed this in 1913; however, it could not be published due to another serious mental breakdown during her post married life. It had to wait till 1915 to be published by Duckworth & Co. Later during the year 1917, a small hand printing press was brought by Woolf so as to adopt printing as a hobby and also as a curative mode for Virginia. During this time Virginia and her husband were residing in Richmond and the Hogarth Press was being named after their house. A couple of experimental short stories, The Mark on the Wall and Kew Gardens were written and published by Virginia during this time. The hand printing was continued till 1932; however, in the meantime they gradually came to known more as publishers instead of being printers. One of her collections The Night was brought out in 1919 that depicted a realistic story about the lives of the two friends, Katherine and Mary. Her first collection of short stories Monday or Tuesday was published during 1921, a major part of which was being regarded as experimental in nature. The Hogarth Press was commercialized by around 1922. From 1921 onwards,...
" Alif: Journal of Comparative Poetics (2007): 68+. A background of Woolf's early life and her continued social and historical consciousness throughout her life. Eide, Marian. "The Stigma of Nation': Feminist Just War, Privilege, and Responsibility." Hypatia; Spring, 2008, Vol. 23 Issue 2. 48-60. Author draws her thesis from the title of one of Woolf's works, and discusses the feminist position on war, exclusion, and "just war." Froula, Christine. Virginia Woolf and the Bloomsbury
Virginia Wolf and "To the Lighthouse" Biographical Information Virginia Woolf is noted as one of the most influential female novelists of the twentieth century. She is often correlated to the American writer Willa Cather not because they were raised similarly or for any other reason than the style of their writing and their early feminist approach to the craft. Woolf, unlike Cather, was born to privilege, and was "ideally situated to appreciate
Virginia Woolf's "A Room of Her Own": War, Independence, and Identity "[a]s a woman, I have no country. As a woman I want no country. As a woman, my country is the whole world" -Virginia Woolf The Chinese character for "crisis" is a combination of the words "danger" and "opportunity." It is often the case that when people are faced with hardship, they experience inward, mental, changes as a coping strategy to
The giant who was once a demi-god suddenly becomes a devil's minion. This revelation rests within the woman's power; Virginia had no problem openly revealing George's impotence, failure in his career, and turn of temperament while Nora - admittedly a bit more gracious, though none the less cunning - did nothing to Torvald's immediate public image. The harm to Torvald would come later, when explaining why his wife and
Virginia Woolf, the author focuses her attention on a number of scenes to bring home a central idea to her reader. Through her considerations of people, insects, and a variety of other elements Ms. Woolf considers the deeper meanings of life and the various meanings it might have for individuals and the collective of humanity. By a variety of essays that range from the death of a simple moth
Early in the play, George says "I am preoccupied with history" (Albee 50). George is a humanities professor, but Albee is saying more than that, as the couple's story shows as the play continues. Both characters are products of their childhood, and have never really matured from their childhood, which is why they act like children in their marriage. George has guilt about his parents, and makes up stories
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