Rock 'N Roll Music - the Diary of Youth
Rock n' roll is best described as a "hybrid of many musical styles: white country and western, black guitar blues and rhythm and blues, and both black and white gospel music." (De Curtis)
Rock ' roll began in the early 1950's as a dancing music strictly for teenagers and became known in the 1960's as simply rock music. This was because rock no longer stressed music to dance to.
Throughout the decades, rock 'n roll has become a way for young people to express their emotions and problems, such as love, school, peer pressure, cars and parents. It has also been used as a significant display of rebellion against general authority and adult values.
Since the 1950's, rock 'n roll and rock music has taken a stand against the American economic and political systems, as well as a general defiance against traditional values. It has also been an outlet for positive expression and a way to promote good energy. (Szatmary)
During the 1950's, rock 'n roll spoke out against many of the institutions that worked to control young people of all different economic and social classes of the Silent Years of the Eisenhower regime that took place from 1952-1960. Elvis Presley and many others of the first famous rock 'n roll musicians were viewed by older generations as villains who sought to destroy the decency and stability of the youth.
According to parents of the 1950's, rock 'n roll started a trend of youth separation from their parents and traditional family values. It also created a distance between teenagers and both the home and church.
Rock 'n Roll and Society
As the rule of society change, so does the music. As American values were shifting through this period, a corresponding shift can be observed in rock 'n' roll, as it moved away from the simpler rhythm and blues of the 1950s to the more literate and politically charged subject matter of the 1960s. (Edsforth)
And as the music reflected these changes it also became symbolic of them, producing a defining musical figure at each major turning point: Bob Dylan at the more cerebral beginnings of the radical sixties, the Beatles during its more idealistic middle period, and the Rolling Stones closer to the end.
Many of the rock 'n roll stars of this decade were from poor and working class families so many of the songs attacked the upper middle-class concepts. Throughout the 1950's, the United States' capitalist economy was largely consumer oriented. The production of heavy industrial goods like the ones needed for the growing defense sector was not affected, but consumer commodities were becoming the mainstay of the American economy. (Curtis)
The mass production of consumer commodities was due to the wealth of a large percentage of the population. The Untied States had predicted the general increase in wealth among consumers because of the new dominance of the world capitalist system after World War II (Chapple). The new Bureaucratic consumer capitalism caused widespread protest by the children of the middle-class and a few of the upper-class children as well.
The protest against American consumer capitalism in the sixties was somewhat reflected in the new progressive rock music being created by mostly middle-class rock groups like the Mothers of Invention, Grateful Dead, Jefferson Airplane, Country Joe and the Fish, the Fugs, the Doors, and Bob Dylan. The growing student and dropout audience particularly favored these new rock groups. Rock music shared a lot of the antiestablishment attitudes of the nascent youth culture and the older radicals. "Fundamentally, it was against materialist consumerism and puritanical sexual organization."
By the end of the 1950's, rock 'n roll had become the voice of a completely new generation of people - the youth of America.
American Pie
In 1971, the song "American Pie" entered the lives of millions around the world. (McLean) Today, it is one of the most discussed, dissected and debated songs that popular music has ever produced. The song shows how music represents the values of its time because of its meaning. The song refers to "the ten years we've been on our own," speaking of 1959-1970, the decade in which the American cultural landscape changed radically, passing from the relative optimism and conformity of the 1950s and early 1960s to the rejection of these...
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