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Use Of Realism Term Paper

Realism in an American, Fictional story of Detection -- Dashiell Hammett's Red Harvest So, a realist style, you say? How to convey a sense of realism? Use short sentences. Terse dialogue. Deploy words that are direct in their meaning. Don't be stingy with the slang and other types of common and prosaic language. Don't use too many complex metaphors or words many syllables or subtleties. But do use words that have a lot of 'local color.' Use characters that pull no punches when telling the truth, but might be inclined to gives someone a punch in the mouth, when crossed, or even when the character is just in a bad mood. Show rather than tell. "A woman in green and a man in gray." (5) Write how characters sound rather than in the King's English -- a "shoit not a shirt." (3)

All of these literary techniques, when deployed by Dashiell Hammett in Red Harvest create a verbal atmosphere of realism, even if "Personville," also called "Poisonville, " might not be the world the reader 'really' inhabits. (15) Realism is a fictional technique; after all, it does not mean that the story is real, non-fictional, or true to life. One could also argue that as a genre work of fiction, Red Harvest is...

In its structure, the work is a popular form of entertainment and not really 'realistic' at all. How often does one meet a man like Continental Op, anyway, or use private eyes when one's son is murdered?
But the dark, seedy side to American life, where even the police are corrupt and the press is represented "by a red-haired mucker named Hickey Dewey" rather than a voice of truth, where private citizens must seek justice on their own dime and dollar, gives the novel added force, perhaps not of reality, but as a critique of American society with a force beyond the fictional. (3) True, Hammett's main characters are schematic, in the sense that…

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Hammett, Dashiell. Red Harvest. 1926. From the Library of America Complete Works of Dasheill Hammett. Edited by Steven Marcus. New York: Library of America, 1999.
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