Typography Design
Taking a lead from the typeface named Matisse ITC, a typography-based design was created with the broad-brushstrokes, primary colors, and dominant white space that characterized the gouche paintings and cutouts created by the artist Matisse. The central theme is of a ski hut on the night of a full moon, with evidence of children playing in the snow left over from the day, and the cold clear starlit night shining between sparsely falling snowflakes. Four distinct typefaces are used in the graphic design. The typefaces have been manipulated to increase the continuity and message of the overall design.
Typography
According to Useful Information for Web Developers and Designers, "Typography is the ultimate form of science meeting art. Space, size, type treatment/effects, contrast, color selection -- and much more -- go into every piece of design that involves the use of type."
Although children are taught in school to print on lines that divide the letters the make exactly in half, type is not designed that way. The middle line is called the x-line and it is exactly the height of a lower-case x. excluding ascenders and descenders. The bottom line is called the base line, and the top line is called the cap line. In type, the space between the x-line and the base line is denser than the space between the x-line and the cap line. That is, more of a letter is printed on the bottom part of those three parallel lines than in the top space.
The nuances of different typefaces are a great continuum of this sort of small consideration. From the exactitude of creating typeface, a graphic designer takes a huge conceptual leap, creating art through iconic application of letters.
The iconicity of typography. A wide range of powerful tools are available to those who are knowledge workers or toil in communication-heavy fields, such as politics, entertainment, publishing, marketing, and advertisement. Humans are inherently sensitive to visual imagery -- our survival has, at times, been dependent on our ability to see patterns in our environment and to identify friend from foe. The capacity to make these sorts of discriminations visually, rather than through touch or...
In this crucial first printing development, a raised, reversed image of each letter could be hand-set, placing each word side by side, into a frame that held the combined pieces. Ink was applied to the raised letters and a sheet of paper placed over them and pressed down. This reverse stamp created a correct mirror image on the paper of the desired text. When enough copies were printed, the
This means that designers do not have the ultimate control, as they have had for centuries in other printed matter. The user now has the ultimate control, and they can alter the aspects of a Web page at the click of a mouse. Internet typography has evolved from very simple fonts and colors on a plain background, to intensely graphic and easy to navigate Web sites that draw the user
Graphic Designing Impact of Typographers on Graphic Design Field This paper sheds light on the lives of two prominent typographers Eric Gill and Adrian Frutiger. The purpose of this paper is to find out about the lives of these typographers, their careers and their contributions to the field of graphic designing. The art of typography pertains to the technique of arranging text in order to enhance visibility of the language. We begin
Web-based technologies are in fact the essence of distance learning because students from all over the world can attend courses they could not if the were confined to a geographic location. Organizational and reference tools including digital calendars, dictionaries, translation devices, and journals allow both instructor and student to manage their time more efficiently. Digital calendars can be set with alarms that help students manage their time better: setting intermediate
"Hopefully, I am evolving as an artist and a designer, and Digital Kitchen seems to be a place that [offers me the best] chance at getting to the next level" (Remson, 2002, p. 6). There are always "next levels" for Carson. Looking at his design for the book the Architecture of Patterns, at first the eye sees the + signs and interprets them as crosses in a cemetery. A closer
In point of fact, the article did not even provide enough information concerning whether control had really been lost, or if the new headstone fad was just that; a fad. The article was successful in providing information that a trend seems to be developing for the more eccentric individuals in society, and that trend is to be more creative in death than what has been acceptable in the past,
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