Twelve-Step Program to Escaping Dante's Hell
Dante's The Inferno paints an incredibly vivid picture of what Hell is like. The journey Dante undertakes in order to progress past his 'lost' stage and escape Hell can be likened to the 12-Step Program a recovering alcoholic must complete in order to finally escape from the clutches of drinking to excess. This paper endeavors to explore Dante's journey through the perspective of this 12-Step Program. By going through each step, one can witness the introspective and emotional self-examination Dante goes through, with a little help from his support group, in order to get out of Hell.
The first step that every recovering alcoholic must take involves the process of admitting his or her problem. Alcoholics must acknowledge that they are helpless when battling their addiction and they must admit that this addiction to drink has wreaked havoc on their lives to the point where they have lost control (Alcoholic Anonymous, 1955, 59). Dante's predicament is no different to that of an alcoholic struggling to regain control over his or her life. At the beginning of the poem, Dante is portrayed as having gotten lost on the path of life and trying to get back on the right path (http://www.*****/essays/Literature/danteinferno.shtml,2).Using imagery, Dante recalls that "in the middle of his life, he [finds] himself lost in a dark forest, having lost the right path while half asleep." (http://www.gradesaver.com/ClassicNotes/Titles/inferno/fullsumm.html,1).Many historians believe The Inferno was penned during Dante's exile from Florence, specifically the night before Good Friday, 7 April 1300. The dark forest symbolizes Dante's disillusionment of the period. Dante's disillusionment stemmed from his thoughts of inner conflict and transgression, the flawed material (in comparison with Heaven and God), corrupt politicians and popes, lack of genuine leadership, and so on (http://www.gradesaver.com/ClassicNotes/Titles/inferno/fullsumm.html,2).
Similar to the character of an alcoholic just embarking on his journey to regular sobriety, Dante's character at the beginning of the poem is one of contradictions. His character isn't particularly defined, illustrating the confusion and conflict he is feeling. Although the reader is made aware that Dante has committed a transgression, the reader is not illuminated on what that sin is. Although the reader is told of Dante's participation in Florentine political life, the reader does not know much else. Dante's characteristics are generalized. He frequently empathizes with others as well as unleashes his anger when the mood takes him. He cries upon witnessing the suffering of the Hell-dwellers, and rejoices when one of his adversaries suffers the same fate. He prides himself on his inclusion among the renowned poets in human history residing in Limbo; yet he also humbly wishes to be reunited with his first love Beatrice. Dante often shows his fear of the beasts and demons he encounters in Hell but he also displays great courage by following his guide Virgil without fail. Dante is emotionally vulnerable, often fainting or paralyzed with fear (http://www.sparknotes.com/poetry/inferno/terms/charanal_.html,1).Alcoholics harbor just as many contradictions in their psyche as they struggle to muster the courage to face their addiction and the demons that have enslaved them to the bottle for so long.
Hell can be compared to an alcoholic's torrid journey into regular sobriety, a process of purification and truth, of escaping the confusion of dependency and finding the courage to live life without such a destructive crutch. Hell can be seen as "the state of man who has lost the good of his intelligence, a state of man dominated by his passions." (Pound, 1968, 129). Dante desires to emerge from his confused state to enlightenment, just as a recovering alcoholic wishes to emerge from the confines of his or her addiction to independence from it. However, not unlike the recovering alcoholic, Dante encounters impediments or temptations attempting to weaken his resolve (http://www.*****/essays/Literature/danteinferno.shtml,2)in the form of a leopard (representing worldly pleasure and lust), a lion (representing ambition) and a wolf (representing avarice). (Thompson, 2000, 4). Dante wishes to rise above his foggy misdirection but realises he cannot do this on his own.
This realization of knowing that outside help is necessary for success is the second step of the program: the addict must come to believe that a power bigger than themselves can take them back to sanity (Alcoholics Anonymous, 1955, 59). The addict must travel beyond the parameters that contain the familiar. They must venture beyond their comfort zone. Similar to a recovering alcoholic acknowledging the need for a sponsor or guide to keep them on the right track, Dante realizes he requires outside assistance. This assistance...
" James a.S. McPeek further blames Jonson for this corruption: "No one can read this dainty song to Celia without feeling that Jonson is indecorous in putting it in the mouth of such a thoroughgoing scoundrel as Volpone." Shelburne asserts that the usual view of Jonson's use of the Catullan poem is distorted by an insufficient understanding of Catullus' carmina, which comes from critics' willingness to adhere to a conventional -- yet incorrect
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