It is possible that Brian's abnormal nature as a dog with human qualities may leave him with underlying identity issues, however. These issues may manifest as narcissistic personality disorder in Brian. The character has a strong sense of entitlement and feels superior to others. Yet his outcomes are seldom successful and this may in fact reinforce Brian's underlying feelings of inferiority. The fact that he is superior to other dogs but as a dog is inferior to humans is a potential root cause of narcissism but there is insufficient evidence for a full diagnosis.
Brian's behavior patterns represent abnormality in that he at times finds his drinking becoming an obstacle to achieving his goals, and because his drinking is a mechanism by which to medicate his underlying issues. At no point does the drinking actually help him address those issues, so the issues become unresolved. When he has addressed his unrequited love, for example, he is unable to effectively come to terms with it and ends up drinking again. His drinking has also caused problems with associates at times, especially friend-of-a-friend Glen Quagmire, with whom Brian has come into conflict in the past. These conflicts at times come from the insensitive remarks Brian makes when he has been drinking. The repeated pattern of difficulties that Brian has with respect to his drinking indicates that his abnormal behavior is related to one or possibly multiple psychological issues.
It is conceivable that if Brian had more responsibilities, his drinking would impede upon them. His relative lack of responsibilities as a dog makes it more difficult to render an effective diagnosis, but when he gives himself responsibilities such as writing, he does fail in them. In addition, his behavior should be classed as abnormal because he has clear underlying issues that cause the symptomatic drinking. This allows for better diagnosis...
The film version of the 'GodFather' became famous. The reason is that it was essentially a portrayal more on the family and emotional side rather than the gun toting violence. Thus the viewer shows the discernment between a good and bad movie by analyzing the depth of the portrayal rather than stunts. The argument that violence in cinema begets violence in real life falls flat. The viewers are not imbeciles,
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