It recounts the travails of Antigone, daughter of Oedipus the former king of Thebes, who disobeys King Creon in burying the body of her slain brother. She knows that she faces death for doing this, but insists that she does not care, saying "For whoso lives, as I, in many woes,
/ How can it be but death shall bring him gain? / And so for me to bear this doom of thine / Has nothing painful" (Arrowsmith, lines 508-12). Antigone does not see meaninglessness in death, but rather is willing to face death for the symbolic gesture of burying her brother. This illustrates her own tragic quest for truth; like Gilgamesh (and Creon), she is frustrated by the rules and order imposed by a mortal government, and feels that it pales in comparison to the divine moral laws such as those regarding the treatment of the dead and the importance of familial relationships and loyalty, which supersedes loyalty to a government.
The final words of the play also illustrate the truth that Antigone and several of the other characters discover: "Great words of boasting bring great punishments; / And so to gray-haired age / Comes wisdom at the last" (Arrowsmith, lines 1536-8). The boasting and other reflections of physical and worldly power, wealth, and glory are ultimately shown to be empty. The fact that it takes suffering to come to this realization is what makes the search for, and the discovery of, truth so inherently tragic. Antigone is, oddly, somewhat more optimistic than the Epic of Gilgamesh in that it does not determine that everything is meaningless, but rather that there are grand universal externalities that provide truth. Antigone, Creon, and others learn, however, that this world is not nearly as meaningful as these other grander principles.
A more well-known...
searching for an example that follows Aristotle's principles for creating the perfect tragedy, we need look no further than William Shakespeare's play, Othello. According to Aristotle, a tragedy must possess certain characteristics. These include a plot that is easily remembered and structured to arouse pity and fear within the audience. Additionally, Aristotle writes, "Such an effect is best produced when the events come on us by surprise; and the
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Oedipus as Tragic Hero In most dramatic plays, tragedy usually strikes the protagonist of the play and leads him, or her, to experience devastating losses. While tragic instances can be avoided, there are other instances where one's fate and future is out of the protagonist's control. In Oedipus the King, written by Sophocles and first performed around 249 BC, Oedipus cannot escape his destiny and even though he tries to overcome
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Oedipus as Tragic Hero One of the greatest classics of all Western literature is Sophocle'sSophocles' trilogy The Oedipus Plays may be considered one of the greatest literary works of the Western world. In tThe second of these plays, Oedipus the King, the protagonist, Oedipus the King, is described by Sophocles as a tragic hero. According to Aristotle, the characteristics of a tragic hero are - must be an influential person, is
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