Tragedy of the Commons
Few people would deny that overpopulation is a major problem. Even sparsely populated nations feel the brunt of the overpopulation problem because overpopulation affects the environment, politics, and the global market economy. The world currently holds six billion plus individual human beings, an unprecedented number. Rainforests are being cut down and soil depleted of their natural nutritive qualities in an attempt to please human appetites and keep the population happy. In his essay "The Tragedy of the Commons," author Garrett Hardin suggests that the only way to stop the overpopulation problem from getting worse is to stop unlimited human breeding. Unfortunately, the United Nations has taken a laissez faire stance that leaves the option to breed with each family. Hardin points out that this position is self-serving and outright stupid. So far, China has been one of the only nations in the world to institute some form of mandatory population control device, in limiting the number of children each family can have. Although China's model is not ideal and might not be the best ultimate application of population control, we do need, as Hardin proposes, to do something. That something must be a radical reworking of our political and social codes.
The "tragedy of the commons" refers to a nineteenth-century tale about an open pasture. "Each herdsman seeks to maximize his gain," by purchasing one or more new animals (3). When each herdsman decides to do so, the field becomes overgrazed. This "tragedy of the commons" can be applied to many environmental problems such as pollution and overpopulation. Hardin's essay treats overpopulation as a tragedy of the commons. I appreciate the analogy because it offers a visual image of an otherwise overwhelming, even abstract problem.
Unlike many other human problems, overpopulation cannot be solved through technology....
The world's oceans are over-fished. It takes more land resources to bring animals to slaughter than it does to grow vegetables that could feed the world. What may be pleasurable, or even good for the individual is not necessarily what is good for the 'common' -- for the majority of the people who will have to live on a planet being depleted of natural resources. This is also true
" To quote the Encyclopedia of World Biography's entry on Thomas Paine (2004) "his contributions included an attack on slavery and the slave trade. His literary eloquence received recognition with the appearance of his 79-page pamphlet titled Common Sense (1776). Here was a powerful exhortation for immediate independence. Americans had been quarreling with Parliament; Paine now redirected their case toward monarchy and to George III himself -- a 'hardened, sullen tempered
Tragedy of the commons refers to a situation where each individual, when engaged in profit-maximizing behavior, causes overall damage to common property. The principle reflects two ideas. The first is the economic idea of profit maximization, wherein it is held that in general each individual will seek to maximize their own outcomes. The second idea is that in doing so individuals will generally exploit common property. Indeed, transactions between individuals
Then comedy disappeared when the Roman Empire collapsed. Nonetheless, the moulds for its future development had been cast. Greek comedies were rediscovered during the Renaissance, the point of origin of comedy as we know it today. Furthermore, the Renaissance brought two major developments to the comedy: the commedia dell'arte, and plot developments and defined archetypal characters (Storey: 407). "A Midsummer Night's Dream" is what theoreticians may call a classical
Nevertheless, it was his curiosity that made him popular and it would only make sense that it would be his downfall as well. This very human aspect of the king allows us to relate to him and a persona level. The final tragic move in the play occurs as Oedipus chooses to leave his Thebes. His attempt to rid the city of contamination is brave. He realizes his failure and
Tragedy and the Common Man," he contemplates the idea that only the wealthy, noble characters can fully understand tragedy, and therefore appreciate it. That thought is not a reflection of his own opinion, as Miller argues the case of tragedy and the common, working class man - for tragedy knows no income boundaries, but rather that this person would "lay down his life...to secure one thing - his sense
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