Titian's painting, in fact, seems to be a stop-cadre and the audience can expect that once the play button is pressed again, the characters will resume their natural movement and activities.
In Matisse's painting, the characters are also extremely dynamic, caught in activities ranging from dancing to movement and from gymnastics to playing instruments. In the background, we can see one of the dancing group that has appeared in other of Matisse's paintings, notably in the Dance. Again, the same impression of dynamism as in Titian's work is present.
However, the important distance in time between the two paintings shows in the way the characters are created, the colors used and the perception of nature in general. First of all, in Matisse's painting, the characters in the painting are barely crayoned, while Titian uses a great deal of time to paint underlying features of his characters, including their clothes, their anticipated gestures, their figures and their face lines and expressions etc. His characters speak through the expressions that Titian draws on their bodies. On the other hand, Matisse's characters speak almost exclusively through their movement, because there are no underlying explicit features drawn out in the case of his painting.
Titian is very keen to surprise almost...
(176) In this regard, Nead notes that because she was an art lover, Richardson experienced a moral dilemma in her decision to attack "The Rokeby Venus," but she felt compelled to do so anyway based on her perception that the government was failing to act responsibility towards women in general and the suffragettes in particular. "In her statement during her trial, Richardson appears calm and articulate and nothing is said
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