The literary methods that More employs are analogous to those utilized by Galileo Galilei just over a half century later.
Galileo also approached a delicate subject with regard to the Church in a hypothetical and fictitious manner. He had uncovered valid and relatively conclusive evidence that the earth revolved around the sun. Yet, this discovery was a direct contradiction of preexisting clerical interpretations of the scriptures. Even though Galileo was eventually arrested by the Spanish Inquisition for his Dialogue and found guilty of "vehement suspicion of heresy," this was less a consequence of the concepts he presented, than a result of his theoretical mechanism's failure. The full force of Galileo's argument was bestowed upon his best developed character, while the position of the Church was backed by a weak and simple-minded literary creation. More, however, does not make this same mistake. The fact that he gives the proponent of European society his own name and social position necessarily hinders any possible attack from authority. This point illustrates the importance of the oppressive setting in which More found himself and it explains the literary style evident in Utopia, which would doubtlessly be absent from modern interpretations of similar arguments.
Nevertheless, the character "More," cannot be confused with the person bearing the same name. Hythloday stands as the vehicle through which More is capable of presenting his assessments concerning society. The advancing exploration of the Americas allows Thomas More to invent both a character and a land that contrast more traditional surroundings and people. Accordingly, More's opinions are placed both in "More" and in Hythloday; "More" reflects Thomas More's recognition that his beliefs are radical, and Hythloday reflects those unavoidably hidden, radical notions. Hythloday holds that some philosophical principles of truth and freedom must be upheld at all costs, while "More" takes the more pragmatic position that society sometimes demands that such ideals be trumped by necessity. His historic positioning makes such blending of actual events, characters, and locations with their fictitious counterparts possible.
Utopia takes place during a diplomatic journey that More made in life as well as in the book. "More" visits his friend Peter Giles and for the first time encounters Hythloday in his presence. Raphael Hythloday is revealed to be a deep-thinking, philosophically rooted individual, who has spent much of his life traveling and observing foreign cultures. The substantial distinctions between Hythloday and the traditional educated European of his day become apparent when he definitively objects to the proposal that a man of his abilities would be best suited to be in the service of a king.
Hythloday asserts that the objectives of kings and princes are contrary to the ultimate aims of society as he perceives them. He uses an example concerning executions that claries his stance: "for this punishment of thieves passeth the limits of justice, and is also very hurtful to the weal-public. For it is too extreme and cruel a punishment for theft, and yet not sufficient to refrain and withhold men from theft." Hence, the accepted practices and policies of the established order are fundamentally objected to by Hythloday on the grounds that life is intrinsically more valuable than any material goods, or the laws upholding their orderly proliferation. He states, "I think it not right nor justice that the loss of money should cause the loss of man's life. For mine opinion is, that all the goods in the world are not able to countervail man's life." Similarly, Hythloday associates the goals of kings with exploitive and materialistic means. His justification for his positioning of life above kings, laws, and their apparent relationship to social well-being stems from the word of God. God commanded that men should not kill one another; so, the perpetuation of state-sanctioned killing reflects a key contradiction inherent to Christian kingdoms: it places the law of man in an elevated position over the law of God.
This critique of society is the crux of the argument More presents through Hythloday. The peculiar social organization of Utopia is More's attempt at satisfying his philosophical drive to place God's law in its rightful place over man's necessities. These necessities, also, are determined by the requirements of the people; thus, further contrasting Hythloday's position with that of a King's advisor. Kings, of course, are guided by personal ambitions, and the needs of the people tend to only be served if they coincide with these ambitions. The centerpiece of Hythloday's model...
While this ensures that there will be no plotting against the state, it also means that dissidents must fear for their lives if they disagree with the dictates of their rulers and desire to talk about it. This is essentially censorship and control of speech coded in the language of open deliberation, and it reveals another problem inherent in Utopian society. Here, More is not attempting to present an ideal
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The Peripheral Narrator The narrator of the novel Utopia (Moore) is, in fact, its author. Ever since the real New World's discovery by explorers, Christopher Columbus and many others like him started penning first-person narratives of the new landscapes they stumbled upon. Thomas More was simply emulating such narratives to give an authentic feel to his work. Readers feel they're reading a real, authentic tale: "It would take too long to repeat
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The reader can sense the emotionally numb manner in which she describes the presence of the much younger co-wife for whom Ramatoulaye's husband had abandoned her for. Ba brings the reader into the heart of Ramatoulaye to experience what she is feeling. Hurt at losing her husband, being forced to look in the face of his co-wife, and literally losing everything she had worked for to her husband's family.
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