Chinua Achebe’s classic novel Things Fall Apart describes a critical juncture in Igbo society: the first point of contact with missionaries. Even prior to their arrival, the protagonist of the story, Okonkwo, contends with both personal and collective crises in his community. Okonkwo “was well known throughout the nine villages and beyond,” an introduction to a man whose power and prestige have become the cornerstones of his identity (Achebe, 1958, p. 1). However, Achebe (1958) also describes Okonkwo’s dark side: his severity, the way he would “pounce on people,” acting with violence and aggression to achieve his egoistic goals (Achebe, 1958, p. 1). As the community of Umuofia falls apart due to historical changes, external threats, and a leadership crisis, Okonkwo also falls apart due to his own existential crisis. Things Fall Apart has a strong ethical overtone, offering the reader insight into Igbo society but also into universal norms and values. If masculinity is defined by aggression and even violence, then men are doomed to repeat the mistakes of their fathers.At the same time, Achebe makes another argument about the responsibility of the society to recognize and uproot bad leadership when they see it. The society does its best to remain within the rules of their culture and still censure their leader. Okonkwo is the leader but he is not totally omnipotent. The society has the power to exile him, and to censure him. Importantly, Okonkwo does have the dignity to accept his role and their judgment of him instead of fighting his fate. Perhaps the only saving grace of his character is his genuine commitment to what he believes to be the higher truth: that “it was a crime against the earth goddess to kill a clansman, and a man who committed it must flee from the land,” (Achebe, 1958, p. 110). Okonkwo might not ascribe to universal ethical precepts such as refraining from killing children or from beating women senselessly, but he does nevertheless submit to his own moral code. That is the moral code he also clings to fiercely in the face of encroachment by the missionaries. Okonkwo knows that once the missionaries arrive, his entire culture is at risk of being obliterated. As a matter of pride, he wants to use militaristic means of ousting the Christians from the villages. A leader’s legitimacy can remain only so long as he has the support of his people, though, so if he wants to eliminate the missionaries he needs support from the community. Okonkwo no longer has that support; he is no longer perceived of as a legitimate leader. The people have lost faith in Okonkwo and what he represents: the traditions...
The community’s responses to these infractions are admirable in the sense that they take a stance and judge Okonkwo’s character and ability to lead. When he “broke the peace,” he “was punished,” (Achebe, 1958, p. 25). The gods are a symbol of justice, the religion a key to enforcing moral codes. Okonkwo has respect for his religion, which is why he does understand that this higher moral code is one that even he must submit to. Unfortunately, Okonkwo does not realize that his version of masculinity is contradictory to the moral code. Achebe shows that in many ways, the villages are democratic. The people have collectively more power than Okonkwo, and can decide how to punish one of the most powerful men in the village. He is not perceived of as invincible, and his power rests on a social contract and not on any arbitrary authority like heredity. The religion serves a meaningful purpose: it helps maintain social control and it serves as a quasi-legal system. No one is above the religious law. Even if the religion is also replete with superstitions, at least it does provide an umbrella of universal norms that all must submit to no matter what their status in the community may be.Okonkwo, the protagonist of Chinua Achebe’s novel Things Fall Apart, exemplifies the traits of a classic tragic hero. Determined to cling to the past and its out-dated traditions and social norms, Okonkwo uses violence to maintain his power and prestige in the community. As a result, he is a feared leader even more than an effective one. Through the character of Okonkwo and the setting of the Nigerian village, author
Things Fall Apart Hubris and the Suicide of Okonkwo in Chinua Achebe's Things Fall Apart This novel by Chinua Achebe was first published in 1958. Set on the continent of Africa this is the story of Okonkwo, a member of the Umuofia clan, one of nine villages of a tribe in Nigeria. Okonkwo is an esteemed tribesman who, despite the stigma of his cowardly father who died in disgrace leaving many unsettled
Therefore, Okonkwo rejected his father, and hence, the womanly element of himself. He turned out to be a leading wrestler and warrior in his people to make available the facilities of life for his family at a very small age. Simultaneously, he established a new farm and began to collect his own riches, and ultimately a name. His uphill struggle confirms itself in his victory, and he rapidly became
Things Fall Apart" the author, Chinua Achebe, offers a unique perspective on Africa and the effect of European civilization on Africa. The story is told with a focus on the central character, Okonkwo. This focus gives the book a definite sense of reality, makes the theme of the tragedy of the change more forceful and also says something greater about all societies. We will begin by giving a brief
Empowerment through Creation and Protection: The Role of Women in Things Fall Apart by Chinua Achebe is a depiction of the tragic life of Okonkwo, the main character. Many elements combine to result in the tragic end of the book, as well as the end of the traditional ways of Okonkwo's Ibo tribe. The major contributing factor to this demise is the arrival of Western missionaries. The foreign beliefs and
Chinua Achebe presents an archetypal patriarchal warrior with the character of Okonkwo in the novel Things Fall Apart. Okonkwo is described as being “well known,” his fame being based on quintessential masculine feats like winning wrestling tournaments and having many wives. A round character, rather than a dynamic one, Okonkwo also epitomizes the classical tragic hero whose hubris and stubbornness prevent him from changing or recognizing what he could do
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