Michelangelos Pieta
Michelangelo uses the principles and elements of art, namely directionality, shape and texture, to communicate a very important religious theme to his audience of the time. The theme is one of Christian redemption coupled with intense sorrow and suffering on the part of the Blessed Virgin Mother of God. Through line, shape and texture, Michelangelo conveys this sorrow for the audience to feel.
Directionality is one of the most important elements of art because it controls the movement of the eyes by getting them to follow a line within the artwork. Just as a filmmaker uses the frame of the camera to capture the eyes, the artist must use the material to direct the eyes around the work of art. That is where directionality comes into up the shoulder of the Virgin, against whose body the head is resting. The head of the Virgin is tilted down to see her Son, and the eyes of the viewer thus move up to meet hers. Her veil is rounded down to take the eyes back to her left hand, and that completes the loop. It is a triangular line that has a symbolic…
Bibliography
Forrest, Lynne. “Trinity or Triangle? The Faces of the Divine Trinity and Its Shadow.”
LynneForrest, 2012. https://www.lynneforrest.com/articles/2012/05/trinity-or-triangle-the-faces-of-the-divine-trinity-and-its-shadow/
Mize, Dianne. “The Power of Direction,” Compose, 2011.http://visualcomposing.blogspot.com/2011/11/power-of-direction.html
Vasari, G. (2003). The Lives of the Artists. NY: Penguin.
The Medici family was heavily involved in the excavation of priceless artifacts from around the Florence area. Exposure to these excavations, many of which were financed by Michelangelo's key patrons, undoubtedly had an affect on his affinity for classical art and art forms. Through his use of ancient works in his own art, as well as his propensity to copy the style of these ancient artifacts, Michelangelo managed to
Michelangelo Biography and Detailed Information About One of His Art Works Michelangelo was one of the most influential artists of the Rennaissance and of art history. Painter, sculptor, poet and architect, Michelangelo dominated the art scene for almost the whole of the 16th century. Born in 1474, he lived to be almost ninety years of age, time in which he left an unparalleled creation to the world. In Michelangelo's time, the Renaissance
Jean-Baptist Carpeaux and Augustus Saint-Gaudens improved sculpting but Rodin introduced many new ideas and styles that left lasing impressions. He "modified" the Realism movement by implementing several styles into his work including Impressionism and Symbolism and in the process created a personal style that "anticipated twentieth-century Expressionism" (1011). Rodin attempted to look beyond what was being taught in art schools in his day. His studied Michelangelo and Puget and
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Michelangelo was the greatest sculptor of the 16th century and one of the greatest of all history, incredibly, considering the number of years required to master a craft, he was also one of the greatest painters, architects, and poets. There have been few artists who have been as prolific, and few still that have created enduring masterpieces in so many different mediums. Michelangelo would have gained his place in history if he
Michelangelo created the "Madonna of the Stairs" at the age of sixteen, roughly during the year 1490. This marble relief was made during a time of great social, political and artistic upheaval in Italy. Michelangelo was an intensely artistic young man whose inspiration even at this early age knew no bounds. The "Madonna of the Stairs" then entailed the transition between the traditional and the new. The traditional religious theme was
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