More precisely, it provided very clear and documented information that would be easily verifiable. Martin Feldstein's interview is especially intriguing when considering verifiable data as it makes it possible for viewers to understand that the financial crisis was anticipated by a great deal of influential individuals in the financial industry. At the same time, the way in which the film was directed triggered a sense of further inquiry (especially in cases in which the interviewee requests that, upon answering a difficult question, to turn off the camera). This technique incites even more the public and places the respondent in a poor negative light.
The main idea that the film is meant to put across is that Wall Street firms practically gambled with the money they came in control of. The government supported such behavior and provided them with the chance to reap the benefits whenever their gambling generated profits. However, they happened to lose in a series of occasions and the 2008 financial crisis is the best example concerning this issue. Congress used taxpayer's money to bail them out and the masses virtually paid for mistakes committed by these respective companies.
The shortcoming of a conspiracy theory is that the truth is never revealed and proven without any shed of a doubt. This is all the more the case with subjects that include people that still occupy high ranked positions or are not out of the public spotlight. Therefore, it is rather difficult to identify logical fallacies in such new and closed subjects. Even with the fact that there are numerous imposing individuals involved in producing evidence supporting claims made throughout the film, the fact that the individuals who were actually responsible for the financial crisis are not shown in the film makes things confusing. Jeffrey Lane's presence in the
The above perception of the insanity of life is not at all apparent in the second painting of Georges Seurat. While it is mystical, it gives too much quiescence that is there with the impressionistic style. This like Picasso's painting above is a happy trip and does not exhibit as much negative energy as Picasso. He also does not seem to be trying to summon any primitive energies. Rather Seurat's
Art "Sacrifice of Isaac" Analysis This paper will focus upon Lorenzo Ghiberti and one of his artistic works called "Sacrifice of Isaac." The paper will provide a context within which to explain and evaluate this sculpture. Referencing art history, world history, and the artist's personal history, the paper will explore and analyze "Sacrifice of Isaac" as a seminal work of a famous artist that serves as a masterpiece representing the entire artistic
Art Culture: Public Space Art Public art like that of Koon's Train (2011), Serra's Tilted Arc (1981), Lin's Vietnam Veterans Memorial (1981), and James' Sea Flower (1978), ignite discussion to the point of its modification, re-arrangement, or removal. The reason for this controversial treatment of public art is its ability to embrace a variety of aesthetic practices. The adoption of different aesthetic values like poster art, outdoor sculpture, earthworks, multimedia projections,
This work of art depicts a struggle between two ancestors, the Bungalung man and a Tingari man, the latter of whom was trespassing on sacred land (No author). The copious quantity of dots, particularly the white ones, evinces the full force of the elements invoked by the Bungalung Man to beat his opponent into submission. The power of the Bungalung man is evinced by the fact that he leaves
Art of classical antiquity, in the ancient cultures of Greece and Rome, has been much revered, admired, and imitated. In fact, the arts of ancient Greece and Rome can be considered the first self-conscious and cohesive art movements in Europe. Style, form, execution, and media were standardized and honed to the point where aesthetic ideals were created and sustained over time. The art of classical antiquity in Greece and Rome
Art During Renaissance The Evolution of Art During the Renaissance The Renaissance period is defined as a cultural movement that spanned approximately from the 14th to the 17th century, beginning in Italy in the Late Middle Ages and later spreading to the rest of Europe (Brotton 2006, p. 6). This period in the history of art included the painting, decorative arts and sculpture of the period and for many was considered a
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