Hence, Buddha is editorially far, far apart in style and in concept from Dark Knight, which in comparison, is frivolous and cliched. Aside from the superhero antics -- and saving people from villains -- Dark Knight is a pithy formula-riddled comic that delights readers in a totally different way from the readers' pleasure while going through the many volumes of Buddha. Indeed, many people who are not Buddhists, and have no real knowledge of Buddha and his travels, have been getting an education of sorts by reading Buddha.
Tezuka has brilliant story-telling abilities but his ability to combine the story with the dramatic visual effect brings out a warm human feeling in the style used in the frames. The emphasis in his frames is on action, conflict, character development, movement and emotion, and one could say the same thing about Dark Knight except that the context is wholly different. There is plenty of action and conflict in Dark Knight -- and it's in color, which American audiences favor by far over the black and white found in Tezuka's Buddha -- but there is nothing really philosophical in Dark Knight but in Buddha the pages are a rich blend of art, action, motion, interesting scenes and philosophy based on a real spiritual leader from the past.
Tezuka seems to want to keep readers' attention with his drawing acumen. Not that Miller's work isn't also very excellent with the pen, but his frames reek of sameness vis-a-vis...
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