The narrator in this tale internalizes "elements of anxiety and fear pushed to an unrelenting extreme" (269). We can see this extreme in the narrator's thought processes as he continues to watch the old man's eye. For instance, he says:
It was open -- wide, wide open -- and I grew furious as I gazed upon it. I saw it with perfect distinctness -- all a dull blue, with a hideous veil over it that chilled the very marrow in my bones; but I could see nothing else of the old man's face or person: for I had directed the ray, as if by instinct, precisely upon the damned spot. (Poe 2)
Here we see how the narrator's anxiety has pushed him to an extreme in this scene, a prelude to the old man's murder. The anxiety is produced by the eye and only intensifies as the narrator thinks of it.
This form of fear is transferred to us as we become involved in the story and realize the dreadfulness of the narrator's state of being. Michael Burduck believes that Poe delves into the realm of "pain, decay, and terror" to "enlighten the dark tunnels of human life" (Burduck 102). Madness is never a path that is filled with light and our narrator illustrates this perfectly as he moves closer and closer to the dark side of reason. Nothing illustrates this more than when the narrator decides to kill the old man and does so, neatly cleaning up the mess and successfully hiding the corpse. He admits, "I smiled -- for what had I to fear? I bade the gentlemen welcome. The shriek, I said, was my own in a dream. The old man, I mentioned, was absent in the country. I took my visitors all over the house. I bade them search -- search well" (Poe 3). The narrator not only murders the old man but also is proud of the fact and his pride spills over into his conversation with the policemen. Poe demonstrates that fear works best when it is confronted with the painful reality. We are never more frightened than when we face the truth of reality. Poe's narrator is a man just like any other man...
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