Many Americans saw modernity, as they conceptualized it, as a curse, not a blessing. The causes of the "Modern Temper were thus a culture clash of old and new, of a reaction to Progressivism as well as a desire to kick up the nation's heels at the end of World War I and a delight at the ability of more individuals to enter the more leisured consumer class. The national focus shifted to private solutions for social problems, such as women's interest in work rather than winning the vote, the Harlem Renaissance's emphasis on literature and newspapers to give Blacks a voice, and the retreat of organized labor and government's public regulation of industry. The rise of consumerism in urban locations and a loosening of sexual mores threatened older centers of cultural and social power, but...
Dumenil's comprehensive survey of newspapers, literature, sociological data and the politics of the era makes a persuasive case that the modern shift to a pluralistic rather than an Anglo-Protestant culture came into full flower during this period. But the era also set the stage for future cultural wars rather than resolved the issues it raised.
Langston, in his commentary, sought to point out that the Negro condition was crucial to their development as artists. "We younger Negro artists who create now intend to express our individual dark-skinned selves without fear or shame." (Hughes). In this declaration, one does not detect racial pride or bitterness, but rather, a tender plea for the right to create art without being judged by society as vulgar or threatening. Hughes viewed
Harlem Renaissance was a noteworthy era in human history that was triggered immediately after the upheaval of World War 1. It is largely characterized as a period in which African-Americans searched for greater self-actualization, and struggled for racial equality in an America drowned in ethnic bias. The Black community deemed it absolutely necessary to realize their dreams of a world with no prejudice and equitable opportunities in all walks of
Harlem Renaissance The Southern Roots of Harlem Renaissance The African-American artistic, literary, and intellectual self-development, known as the Harlem Renaissance, is one of the most important and pivotal moments in the history of African-Americans -- and that of the United States in general. The Harlem Renaissance greatly influenced African-Americans' perception of who they were, their roles in American society, and their place within the racialized society dominated by Whites. The Renaissance movement,
Harlem Renaissance- Literature and Art The Harlem or Negro Renaissance marked the 20s and 30s as a period where the spirituality and potential of the African-American community was expressed in the most explosive way possible. Black art had been relatively unknown to the American public until then, at least to the urban communities. Centered in the Southern states and with a freedom of expression generally trampled with, black art expression was
Harlem Renaissance is also known as the period of renaissance and development of Black art and writing in the United States. Literature was used as a means of promoting and projecting the realities of social oppression that African-Americans felt at the time. Literature was also one of the modes of expression that was used to articulate the complex emotions that many African-Americans felt in an oppressive society. On a related
Harlem Renaissance There were many influential people that changed the shape of American culture during the Harlem Renaissance. Among them included Booker T. Washington and George Washington Carver. These two individuals were responsible for much of the ideology of the Harlem Renaissance. Another key person responsible for the Harlem Renaissance this paper will review was Hubert Harrison, who was often referred to as the "Father of Harlem Radicalism." He found the
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