Tap Dancing
The ways that humans express themselves artistically often reflects the social, political and religious contexts of the times of their development. Tap dancing and its evolution is no exception to this rule and the many interesting components that are contained within this artistic tradition indicate a rich history of this performance art. The purpose of this essay is to discuss and analyze the art of tap dancing by exploring its roots and demonstrating the importance of this tradition. The essay will first explore the social and political aspects of tits developments before discussing this dance form in terms of performance highlighting the movements, music and forms of this expression.
The Beginnings of Tap Dancing
Tap dancing is a combination of several different percussive art forms, including African drumming and tribal dances, Scottish, Irish, and English clog dances and jigs. The true birth of this art form came in the United States when these styles began to mix and mingle. Tap is thought to have begun in urban environments located in the urban east coast of America. This was possible because many cultures lived side-by-side in small, cramped neighborhoods. Tap was first seen publicly in the 'minstrel show' sections of dance contests. These were slave-inspired dances, often performed in 'black face'. The contests, however, allowed dancers to learn from one another and copy each other's styles, thus the dance form grew and changed. Still, while early tap used percussive sound, taps did not appear on shoes until the 1920's.
Morse (2008) described these early beginnings as a melting pot of many different cultures that inherently expressed the social and political views of its participants. He wrote " Tap Dance as we know it today is an amalgamation of many different styles...
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