It also has a "Merton College Library" (93) inside along with period bedrooms were "swathed in rose and lavender silk and vivid with new flowers" (93). Nick tells us that the house has "bathrooms with sunken baths" (93) and Gatsby a private apartment in the house complete with a "bedroom and a bath, and an Adam study" (93). The bathroom even has a toilet seat of "pure dull gold" (94). Gatsby's tailor lives in England and "sends over a selection of things at the beginning of each season, spring and fall" (94). All of this extravagance symbolizes a total lack of regard for anything but the here and now. Gatsby, a single man, lives in a home too large for him and he still has his own apartment in the home. He has a staff that waits on him and he goes to great lengths to keep his home beautiful and desirable. Of course, he is doing this for Daisy but it is important to realize the depth of this excessiveness. On the same level of lavishness, the Buchanan's home is worth mentioning. Nick states that their home is "more elaborate" (7) than he could ever dream. The home is a "cheerful red-and-white Georgian Colonial mansion, overlooking the bay. The lawn started at the beach and ran toward the front door for a quarter of a mile, jumping over sun-dials and brick walks and burning gardens" (7). Here we see the extent of Daisy's life. Her home is on the beach. Her yard is filled with gardens and sundials; she is living in a very nice, materialistic world. She seems to have it all. How these people live is not as important as how they are perceived to live. Clearly, Daisy and Tom have serious issues but, as long as they appear to be a happy couple, that is all that matters. A nice home with all of the amenities can cover a world of pain.
The Valley of Ashes symbolizes the decay of this society. We read it is a "fantastic farm where ashes grow like wheat into ridges and hills and grotesque gardens; where ashes take forms of houses and chimneys and rising smoke and finally, with a transcendent effort, of men who move dimly and already crumbling through the powdery air" (23). This image is significant because it represents just how deeply everyone is affected by immorality. It does not simply sit above the people in this novel; it grows into ridges and takes form of the chimneys and houses, filling the air and lungs of those who breathe it in. It is inescapable. Ash is the remainder of something that once was; it is what we see after something has burned. This symbol represents the morality of these people. They have burned their lives; they have wasted them and all that remains is ash. There is nothing strong and stable on which these people can lean. They are surrounded by this gray, powdery ash that represents death and their own decay. The most amazing thing is how they carry on among the ashes as if there were nothing wrong. They have burned, or wasted, their lives.
Doctor T.J. Eckleburg's eyes symbolize something more than the ash-covered world. While these people seem to live in a bubble, unaware of anything but their own lives, the eyes are a reminder that there is something more. The doctor's eyes rest above the "grey land and the spasms of bleak dust . . . his eyes, dimmed a little by many paintless days under sun and rain, brood on over the solemn dumping ground" (23). These eyes represent God, or a higher power, watching as these people wreck havoc on this dumping ground. The eyes are faded, an indication of neglect. They are not, however, blind and they see everything going on. George emphasizes this when he says, "God knows what you've been doing, everything you've been doing. You may fool me but you can't fool God! (163). This statement falls on deaf ears but it is more true than anyone realizes. George is emotionally wrecked but so is just about everyone else by this point on the novel. The point of George's estimation is that the universe has a way of...
Fitzgerald uses white to describe Daisy, and it is fairly certain he used white to depict Daisy's original innocence. Daisy's car is white, her clothes are white and the paint on the walls of her house are white. However, toward the end of the novel Daisy has been corrupted by Gatsby and the whole social scene, and she becomes careless and destructive. A reader can surmise that Fitzgerald is simply
Great Gatsby -- a Theoretical Analysis The Great Gatsby is one of the legendary novels written in the history of American literature. The novel intends to shed light on the failure of American dream that poor can attain whatever he wants and emphasizes on the hardships presented by the strong forces of social segregation. In order to understand this novel, there are various theories which tend to be helpful in order
However, his single focus on getting Daisy's green light, something he cannot have, creates a motive of greed in Gatsby that he is unable to control and eventually destroys him. For example, Nick talks of Gatsby's idealization of Daisy by saying: "There must have been moments even that afternoon when Daisy tumbled short of his dreams -- not through her own fault but because of the colossal vitality of his
The characters have to travel through this Hell to reach the "paradise" of New York City, the place where they work, play, and show off their wealth. The eyes also symbolize the emptiness of the character's lives. They have money and lavish lifestyles, but none of them are happy. In fact, many of them end up dead by the end of the novel. The blue eyes on the billboard are
Fitzgerald wrote his novel during the Roaring 1920s, but his book seems uniquely relevant to our own times. The Roaring 1920s was coming to a rapid slow-down of material prosperity, and questions of who was a 'real' American arose as social mobility had introduced individuals of new races and ethnicities into higher American society. Fitzgerald suggests that it is important to question what lies beneath the veneer of American society
Hemingway, Fitzgerald and Cather share a bond when it comes to style and framing fiction with language. Words are not simply meant to describe a character or scene; they can help round the story through how they are arranged. Fitzgerald illustrates how language can blossom around particular aspects of characters and ideas. Hemingway and Cather demonstrate how short, concise sentences can enhance a scene by increasing tension. Style emerges as
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