All of this was represented in the figure of Daisy Miller. On the other hand, James also perceived this American entity as being and ugly American' who was uncultured, crude, ego-centered, and grasping. Randolph, Daisy's younger broth, perfectly epitomizes this other allusion.
Other symbolisms appear in the Coliseum where the place itself is symbolic of the ruins of a decadent empire -- again the symbolism of a meaningless, drift less life. Famed for centuries of martyrdom and meaningless cruelty and barbarity as site of gladiatorial games, the Coliseum is fitting scene for Daisy's young life to have met its abrupt end.
Daisy, herself, may be said to have been a symbol of martyred innocence, reminiscent of the Christian (and other) martyrs brutalized in that spot.
Interwoven in the scene is Winterbourne's act of analogically throwing Daisy to the lions (as the Romans did their victims long ago) as witnessed when daisy tells Giovanelli that "he looks at us as one of the old lions or tigers may have looked at the Christian martyrs!" In a way, Winterbourne did as much when he rendered Daisy's innocence as non-existent and her life not worth worrying about.
Rome and Geneva, too, can be aptly presented as symbolism with Rome with its decadence, glory and corruption possibly symbolizing the worldliness, artifice and insincerity...
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