Introduction
For this project, I took a look at a couple of commercials from the 2019 Super Bowl. The Super Bowl is the single biggest ad spend in America each year, and most companies create special ads just for the event, many of which will not be shown again. Thus, the approach to messaging and creative is a little bit different, but given the amount of money in play, it is well worth analyzing these ads for perceived effectiveness.
Ad #1
The first ad is for M&Ms, where they introduce a new product, a bar with M&Ms embedded inside. The ad features a woman driving in a minivan, and adult voices (the M&Ms) coming from the back. The voices are saying things kids might say if they were fighting or becoming unruly. The “mother” eventually stops the vehicle, turns around and threatens to come back there, and then there’s a shot revealing that it was M&Ms doing the arguing, because they are stuck together in one bar. Then a voiceover announces the new product.
The woman is clearly intended to be a “mother” based on her age, the minivan and her behavior, including turning around to yell at the unruly “kids”. Most of the sounds are the M&Ms arguing. They are the typical voices from other M&M ads, so they don’t actually sound like children. This leads the viewer to realize immediately that whatever is in the back is not children, but something else. The shot at the end with the reveal is therefore informative, somewhat anticlimactic, but at the same time you never know until that shot what exactly the voices are.
A premise in an advertisement is a major claim around which the ad is structured (White, 2016). The hidden premise here is that snack food companies that make funny ads also make fun snacks. This premise is evident is the lack of any sort of an argument in the ad; it appears to be funny for the sake of being funny. Further, the product reveal at the end is a fairly goofy product – maybe it’s fun but it doesn’t appear to have any real value proposition beyond that. The minor premises in this ad are that the ad is funny because it conveys a relatable situation, and that M&Ms are fine because the anthropomorphic M&Ms are lively and goofy, and the product itself is a whacky take on an M&M snack.
This particular ad doesn’t seem to make any serious claims. A claim would be some sort of value proposition that the product has. There might be an implied claim that the new product is fun, or a good snack, but the ad does not expend any real energy...
References
TrendCave (2019) Top 10 Best Super Bowl Commercials (2019, Funniest Ads Super Bowl LIII). YouTube. Retrieved March 4, 2019 from https://www.youtube.com/watch?v=n9weiTXQjns
White, T. (2016) Want a good ad? Conceal the premise. Travis White. Retrieved March 4, 2019 from https://traviswhitecommunications.com/2016/03/26/want-a-good-ad-conceal-the-premise/
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