Strategic Plan of Contemporary Organizations
The Sydney Symphony Orchestra
Started in the year 1932, The Sydney Symphony Orchestra (SSO) is a complete 90-member orchestra that is based in Sydney. The SSO has in recent years enjoyed good profitability through both high concert attendance and strong government support. However, despite these successes, the music industry in which they operate is constantly facing a changing external environment that makes SSO future profitability a frequently pondered issue. This paper seeks to project or rather predict the future profitability of Sydney Symphony Orchestra within this competitive music industry. By the end of this essay an educated prediction is made using the general environmental framework and through the conduction of an environmental analysis using Porters five forces model of competition (Porter, 1998).
A collection of dimensions that influence an industry and the companies that are within this industry form a general environment. These dimensions include: Technological, Demographic, Political, Economic, Global, and Socio-Cultural dimensions, all of which affect the Sydney Symphony Orchestra. The political aspect of the SSO is strongly linked with the heavy support they receive from the government via heavy funding. The economic dimension of the SSO is highly positive, with evidence such as the $1.022 million in surplus reported in 2011, plus a bequest of $500,000 (Hanson, n.d). Apart from the money the SSO receives from the government, approximately 65% of the revenue that was earned by the Sydney Symphony Orchestra was generated through profits (Sydney Symphony Orchestra, n.d). The socio-cultural and demographic environments, on the other hand, are strongly linked to the location of the symphony in Sydney and the city's unique features. Sydney is regarded by many as one of the liveliest cities in the world, with a population of over 4.5 million individuals. The residents of the city are also economically well off, enjoying one of the highest per capita incomes. The city is also home to a large well off middle class who can afford expensive inner city housing. A ticket to a Sydney Symphony Orchestra concert costs between $50 and $71 and these prices are considered affordable by many residents (Hanson, n.d). Technology is another dimension of the general environment that has heavily influenced the profitability of music. The growth in popularity of music websites such as Pirate Bay and YouTube offering free music at the click of a button have greatly reduced the perceived need for attendance to actual physical concerts, as recorded music is free and available on demand. However, technology has on the other hand also opened up new media which the SSO can use to reach a wider and more diverse audience.
Porter's five forces model of competition offers an additional insight into different segments of the music industry, adding to the overall understanding of the future profitability of the SSO. Porter's model, utilizing the diagnostics of five forces, allows future understanding of any industry's profitability (Porter, 1998; Recklies, 2001). First, it must be understood that new entrants to an industry pose threats to any firm's existing market share; thus product differentiation is a crucial tool, which is evidently utilized by the SSO in terms of their standards in employing only the better of first rate musicians. In the music industry, it is crucial to also consider substitute offers such as online music videos, live rock and pop concerts, listening to music at home, and many other different forms of alternatives, which may be less expensive compared with attending the orchestra. Moreover, the power of suppliers also affects the music industry in that they cause an increase in costs such as that of instruments and venues that may reduce profitability.
Another important aspect is the extent of rivalry between companies. In this segment of the music industry, the rivalry is between the Sydney Symphony Orchestra and other artists, orchestras and bands that perform in Sydney's live music sphere. As noted by Hanson (n.d), intense competition or rivalries are common in industries that have many firms. As there are several other chamber groups in Sydney that offer the same kind of music as the SSO, it can be argued by many that the intensity of rivalry is strong within this industry. Buyers or rather listeners in the music industry can quite easily access different types of live music without necessarily incurring huge switching costs. On the opposite side, the SSO is widely known for its high quality and the unique experience it offers which cannot be easily substituted. When analyzing the overall environment and the industry that surrounds the Sydney Symphony Orchestra a strong survival is expected in the long-term. This is evidently shown through a strong general...
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