Storytelling
Sometimes fiction can be a mirror image of real life, a reflection that the reader can immediately relate to; while sometimes it can be wildly fantastic and bizarre. But since the basis of fiction is something that is not anchored in reality, the author's limitless imagination is the fuel which powers the engine of fiction. But within the human mind can come stories that are representations of real life, with real-life situations, emotions, motivations, actions, and outcomes. One such story is James Baldwin's Sonny's Blues, which is a gritty tale of real-life social problems and one man's attempt to redeem himself. On the other hand, fiction can also be something that is out of this world, without the limitations and constrictions of real-life. Kurt Vonnegut's Harrison Bergeron is a perfect example of such a story as it takes place in a dystopian future where society has become a monstrous creation where a man attempts to escape the tyrannical repression that is forced upon all in grotesque ways. Within these two stories are characters who seek to change their lives through taking action; one seeks redemption for the betrayal of this brother, while the other seeks escape from an oppressive society. However, the actions embarked upon by these two characters, despite having good intentions, result in very different outcomes.
James Baldwin's Sonny's Blues is the story of a man's redemption. It is also the story of drug abuse and its effects, not only on the abuser, but those around him. Told from the point-of-view of an unnamed narrator, the narrator is the drug abuser's brother, a man who promised his dying mother he would take care of his brother, Sonny, but found it too much and eventually turned his back on him. Sonny continued his downward spiral and eventually ended up in prison, while the narrator went on with his life, marrying and having a daughter. Despite this, the narrator is in need of redemption from the betrayal of his brother, as well as the failure to live up to the promise he made to his mother. After many years, and personal hardships, the narrator finally makes the decision to reconcile with his troubled brother. He comes to his decision when his own daughter dies from polio and he finally understands the kind of pain that his brother has been forced to endure, and why he has turned to drugs. He also comes to realize that the loss of someone you love is a terrible thing and, turning his attention toward his brother Sonny, comes to discover that if you can get a lost loved one back, he should try to do so. This is when he makes the decision to renew his relationship with his brother Sonny. The narrator's decision to reconcile with his brother is the catalyst that results in a major change within him, his view of the world, and his view of his troubled brother.
In stark contrast is Kurt Vonnegut's Harrison Bergeron which is not only set in the future, but a miserable, tyrannical, future. Vonnegut's 2081 is not a year in which any sane person would hope to live; it is a dystopian future where everyone is forced to be equal, no matter how absurd the attempt to do so. The Bergeron's; George, Hazel, and their son Harrison, live in a world where intelligent people have buzzers in their heads to keep them from being too smart, while beautiful people must wear masks to cover their faces so other, less attractive people don't feel bad. As Vonnegut himself stated "Nobody was smarter than anybody else. Nobody...
Consequences of these choices only compound his deep-seated insecurities. (Zushi) Both Ben and Miko are Japanese-Americans, and their shared ethnic background impacts on their lives in significantly different ways. Miko is proactive and politicised -- she is the assistant organiser of a film festival showcasing Asian-American talent. Ben, meanwhile, is a depressive manager of a local cinema, seemingly content in his life of slow-burning frustration and -- not surprisingly --
post, questions How categorize point view [e.g., -person, -person (i.e., "), -person limited, -person omniscient]? Is point view consistent story (told perspective), shift points narrative? (If, make note occur. The point-of-view of this rendition of "Little Red Riding Hood" could best be characterized as third-person omniscient. The narrator knows everything that is transpiring in the story as it happens, even though certain aspects of the tale (such as the fact
45). There are also important racial issues that are examined throughout "A Touch of Evil"; these are accomplished through what Nerrico (1992) terms "visual representations of 'indeterminate' spaces, both physical and corporeal"; the "bordertown and the half-breed, la frontera y el mestizo: a space and a subject whose identities are not fractured but fracture itself, where hyphens, bridges, border stations, and schizophrenia are the rule rather than the exception" (Nericcio,
Insightful Critical Response, Demonstrating an Understanding of the Effect of Medium on Meaning The story of "Briar Rose" uses one story to describe and relate another deeper meaning. The details of one story parallel or overshadow this hidden story now being revealed. The use of the story of a variation of "Sleeping Beauty" is retold by Gemma, a character in the novel, her own personal story is retold and given
Smith & Walker Both Smith and Walker who write about the plight of black people and the feelings of inevitability and racism can invoke in Black people and in their lives. A significant difference between the poem and the short story is the generation and age of the individuals. Whereas Walker's short story is concerned with the racism and pain experienced by an elderly African-American woman in the post-civil rights
Essay Topic Examples 1. The Evolution of Mafia Media Coverage: From Romanticization to Condemnation: An exploration of how media portrayal of the mafia has shifted over time, moving from the glamorization of mob figures in early Hollywood productions to a more critical and less flattering realism in contemporary journalism and cinema. 2. The Influence of Mafia Stereotypes in Media on Public Perception: An examination of how media-driven stereotypes of the mafia, including those seen
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