The use of enjambment has a similar effect, contributing to the sense of continuity and rhythm.
The speaker has made this journey before, and the stop now being made by the speaker is unusual, as is indicated in the second stanza as the speaker notes how his horse may find this "queer" because the speaker has chosen a place far from civilization. This is conveyed by ideas connected by enjambment:
My little horse must think it queer
To stop without a farmhouse near (5-6).
The horse is here treated as another sentient being, while Nature on a quiet evening is snow and woods. The snow creates a white background that the listener can picture and that thus has a purity that is disturbed by those moving through it. This image might also be seen as another representation of life, as a clean slate that the individual makes of what he can.
The second and third stanzas depict the reaction of the speaker's horse, first as it may be puzzled that he has stopped, and second as he shakes his bells to ask if a mistake has been made. The first and fourth stanzas depict the reaction of the speaker. In the first section, the speaker reacts to the woods filling with snow by stopping to contemplate them, and in the last the speaker must make a decision. He...
Stopping Woods a Snowy Evening Frost Frost: Stopping by Woods on a Snowy Evening This is one of Robert Frost's most famous poems. Its apparent simplicity is deceptive and there is a great deal of depth and complexity that can be gleaned from an interpretation of the poem. Ostensibly, the poem deals with a traveler on horseback who rides out on the darkest night of the year. He stops to gaze in wonder
Stopping by Woods on a Snowy Evening Robert Frost is considered to be one of the greatest American poets. Perhaps the reason for his widespread appeal is that his poems have a simplistic and easy-going facade. However, upon deeper exploration, Frost's work is revealed as having multiple layers of meaning. "Stopping by Woods on a Snowy Evening" paints a calm, serene picture that may seem extremely simple and straightforward at first
Just two lines later, however, Frost satisfies the reader's need to hear by using onomatopoeia to suggest "the only other sound's the sweep of easy wind and downy flake" (Frost 11-12). By continuing to describe the woods as "lovely, dark and deep," followed by the repeated lines, "and miles to go before I sleep," Frost closes the poem with a mysteriously beautiful picture of the woods before lulling the
Stopping by Woods on a Snowy Evening In his poem "Stopping by Woods on a Snowy Evening," Robert Frost uses deceptively simple language to communicate his ideas. There is only one three-syllable word in the entire poem -- "promises." The rest of the poem is made up of one- or two-syllable words that are easily understood by virtually everyone. The sound of the poem, when read aloud, almost sounds like normal
Robert Frost speaker/persona poems. Comparing poems "Stopping Woods a Snowy Evening," "The Road Not Taken," "Acquainted Night." Argue prove position. Instructions: 1300-1600-word analytical essay arguing to prove the author Robert Frost did use the same speaker/persona in his poems. Comparing poems "Stopping by Woods on a Snowy Evening," "The Road Not Taken," and "Acquainted with the Night." Argue to prove my position. Using reasonable evidence found mainly in the poems to
Stopping by Woods on a Snowy Evening "Stopping by the woods on a snowing evening" is regarded as the masterpiece of Robert Frost. The theme of this poem has been debated widely. On one hand, some argue that speaker of the poem is just simply gazing at the beautiful nature; on the other hand some argue that the speaker is contemplating suicide. If we examine the poem then we will
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