London's traveler is, to a certain degree, experiencing less terrible conditions and he is practically responsible for everything that happens to him. In contrast, the men on the boat have no power over what happens to them and they are constantly subjected to unfortunate events, even with the fact that they do everything that they can in order to remedy things. Crane's characters virtually refuse to believe that nature can be as unforgiving as to present them with an island and prevent them from reaching it, especially after they went through a lot of trouble to get to that location. Nature is cruel to these men, as it provides them with hope but refrains from protecting them from its power. Even if they eventually save themselves, they are left with the impression that they are ultimately powerless in the face of nature and that they have little to no power regarding their future.
London's character largely appears to suffer as a consequence of his own mistakes: he builds a fire in a wrong place, he falls into water, and he ruins his second fire by removing a piece of moss. However, his fate is not necessarily decided by his lack of experience, as he actually suffers because of nature's power. An old man who he remembers said that it was wrong for any sane individual to go out when temperatures are below minus fifty. This enables readers to understand that no one, regardless of their training, had any reasonable chances to survive in times like these. "To Build a Fire" puts across a man vs. nature theme, supporting the concept of naturalism through the fact that it deals with the main character's foolish confidence regarding his ability to withstand the forces of nature without falling victim to its power.
One of the principal concepts in both stories is the fact that...
Stephen Crane's story "The Open Boat" is a masterful example of Naturalistic storytelling that evokes the characters of four men stranded on a small boat as well as character of the sea itself. By the end of this long short story, despite the fact that Crane has provided us with only the most elliptical clues about these four men, we have came to understand a great deal about their characters.
"The Open Boat" may have been based on Crane's real-life experience but it also functions as symbolic "of man's battle against the malevolent, indifferent, and unpredictable forces of nature…This reading is confirmed by the final irony of the death of the oiler, physically the strongest man on the scene and the one most favored to withstand the ordeal" (Rath & Shaw 97). The futility of resisting the power nature with
Stephen Crane: A Great Writer of American Naturalist Fiction and Non-Fiction, and of Local Color Stephen Crane (1871-1900) was an American author of the late 19th century, whose work, in terms of style and sub-genre, was somewhere between American Romanticism and American Naturalism (with some American Realism added). Crane wrote at the end of a century (the 19th), a time when several literary styles and genres are typically blended together until
One critic's reading of "The Open Boat" positions the story as a turning point in Crane's career, away from the isolation and interiority of The Red badge of Courage and towards a sense of the need of community and the inescapability of interpersonal bonding. Statements like "Four scowling men sat in the dingey" are taken by some to be indicators of the camaraderie that must necessarily form between any
If this old ninny-woman, Fate, cannot do better than this, she should be deprived of the management of men's fortunes. She is an old hen who knows not her intentions. If she has decided to drown me, why did she not do it in the beginning and save me all this trouble. The whole affair is absurd...But no, she cannot mean to drown me. She dare not drown me.
The dangers of this setting are readily apparent, and are conditions in which few living creatures, let alone man, can exert their wills to survive. The predominance of a natural settings and such powerful influence it has on its characters is a trait of Naturalism. It is also significant to note that the deciding moment of both of these stories is dictated by the natural environment of the setting. More
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