¶ … stapled) analyzing: Focus main character/protagonist/Narrator
The primary motif that drives the action in Junot Diaz's short story, "How to Date a Browngirl, a Blackgril, Whitegirl, or Halfie" is the concept of race. This fact is certainly suggested by the title of this narrative, and is one of the central concerns of the protagonist, a young man only referred to as Yunior. Like most young men of school age who live with their parents, Yunior desires physical intimacy with a girl -- as much as possible, in fact, during an evening's date. However, the author is deliberately ambiguous as to whether or not Yunior achieves his objective, by composing the narrative as a set of directives that do not include a definite "ending" in the sense that most short stories have. Yet it is quite obvious that everything in this short story (aside from Yunior's objective) -- such as what factors are present to influence his achieving of this objective -- is based on race.
The author makes it quite clear in this story that despite the allusion to the term date in its title, the character is decidedly less interested in romance than he is in physical, and ideally sexual, intimacy. Diaz makes this point readily available early on in the story by presenting this set of directions for dating various girls in terms in which physical intimacy is the desired outcome. As such, Yunior is quite preoccupied with anticipating what it is that he will get in terms of sexual contact with these girls. He describes a scenario in which it is possible that his date will bring over her friends, and sums up that possibility with the exclamation that during such a date "that means you ain't getting shit." Yet even in elucidating Yunior's primary objective, the author makes it apparent that whatever it is that he is able to "get" from a girl can largely be stratified by race. An excellent example of this fact is Yunior's aside that, in regards to his date, "If she's a whitegirl you know...
Lottery" by Shirley Jackson The meaning of Shirley Jackson's 'The Lottery' "It isn't fair, it isn't right." These are the last words expressed by the victim in Shirley Jackson's short story 'The Lottery', which provides a unique but shocking perspective of the innate evil that is part of human nature. The story starts off by describing a town scene that could not be more commonplace or predictable. The descriptions provided by
What is Science Fiction? Nightfall (Asimov, 1941) Q1. What is different about the world of the story from the “normal” world? What elements make the world of the story seem strange and different from our own? There are a number of elements in Nightfall that establish the planet’s difference from the normal world on earth. First, it is set on another planet, in a fictional universe. This universe is lighted by several, rather
female body -- the sum of its parts? In short story, novel, and poetic depictions of Gillman, Brooks, and Piercy despised flower, called a yellow weed by most observers. A trapped and voiceless bodily entity, like a ghost, perhaps behind a surface of peeling yellow wallpaper. A plastic doll with yellow hair with pneumatic dimensions and candied cherry lips. These three contrasting images all have been used to characterize
Achates McNeil The use of first person narration in T. Coraghessan Boyle's short story "Achates McNeil" is profoundly important in the effectiveness of the story, and critical to the story's ultimate success. First person narration allows the reader to sympathize with the narrator's anguish, and to see the events of the story clearly through Ake's eyes. In the story, Achates, or Ake (as he calls himself) gives the reader direct access his
Friendship (short Story): Wrestling with myself Sierra was one of those girls everyone hated and everyone secretly wanted to be except me. I just hated her. Even the teachers gave her a wide berth and never challenged her. She'd walk through the school, a cold expression on her face, wearing the latest and most fashionable clothes. She seemed to have a sixth sense about when something suddenly was no longer trendy and had
Gimpel the Fool In Isaac Bashevis Singer's short story "Gimpel the Fool," the character of the title has been given the nickname of fool by the people in his village because of his naivety. When someone tells him a lie, he believes them and does not doubt that what they say is the very truth, no matter how many times he has been deceived in the past. In general, the majority
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