In other words, by crying out to heaven, and speaking to the bird in the language of emotions and mythology, the Nightingale comes to speak for the poet's own heart and poetic persona, as the poet himself is heard speaking during the poem in open-mouthed cries that stress vowels rather than sharper consonant sounds. (Lancashire, 2002)
In this ode, Keats always focuses on immediate, concrete sensations rather than upon clever wordplay. The driving sense of the poem is its expression of the poetic emotions, "from which the reader can draw a conclusion" about the poet's "ambivalent response," to the joy and relief he feels at the sight of bird that reminds him of his own perceived inner ugliness. (Melani, 2002) In stanza four, this sense of the concrete comes to the forefront as the poet Keats moves from calling to heaven then to suddenly crying out to the bird itself. But mixed in with the concrete image of flight there is also a sounded sense of fantasy, for as Keats shouts "Away! away!" To the bird, these thoughts are next followed with a direct address, telling the creature, "for I will fly to thee."
At the end Keats announces, clearly aloud and yet clearly in an imaginary but desiring way he is going to use "the viewless...
All breathing human passion far above, That leaves a heart high-sorrowful and cloy'd, burning forehead, and a parching tongue. A lines 28-30) The final lines of the Ode encapsulate the tension and conflict of the poem in a vision of art as the only means of resolving the disparity between the ideal and the real. When old age shall this generation waste, Thou shalt remain, in midst of other woe Than ours, a friend to man,
As is the case with the sonnet form, this sonnet is in fourteen lines. The rhyme scheme may vary in different tyes of sonnet, and Keats her uses a scheme of ABBA CDCDCD. The Shakespearian sonnet would normally end with a couplet, but Keats does not do that, effectively using two quatrains followed by a six-line conclusion. The meter for the sonnet is iambic pentameter, with variations that emphasize words
Keats' to Autumn An Analysis of Keats' "To Autumn" John Keats' "To Autumn" is a kind of "companion piece" to another English poem, "Ode to Evening," by William Collins -- a poem very much in the mind of Keats when he seat to work on "Autumn." Inspired by the English countryside, Keats, like Williams, evokes nature's reflection of the poet's own emergence from youthfulness to adulthood. Composed only two years before his
Autumn John Keats, Ode to Autumn 1819 (222) To Autumn has sparingly figured in criticisms of Keats's poetry, because when compared with other odes of 1819, Ode to Autumn appears not to provide a strong basis for exposition or discussion purposes. Ode to Autumn's three stanzas mark out the seasons' progress. In stanza one, Autumn's role as the harbinger of the fruits for the season is distinguished. In stanza two, Autumn
Metaphor of the Sea in Keats' and Longfellow's Poetry One of the most potent metaphors in literature is that of the ocean. The ocean has a timeless, rhythmic quality that has inspired authors of all genres, nations, and eras. For the early 19th century Romantic poet John Keats, observing the sea motivated him to reflect upon pagan mythology and the moon's inconstant temperament. In his poem simply titled "On the Sea,"
Your answer should be at least five sentences long. The Legend of Arthur Lesson 1 Journal Entry # 9 of 16 Journal Exercise 1.7A: Honor and Loyalty 1. Consider how Arthur's actions and personality agree with or challenge your definition of honor. Write a few sentences comparing your definition (from Journal 1.6A) with Arthur's actions and personality. 2. Write a brief paragraph explaining the importance or unimportance of loyalty in being honorable. Lesson 1 Journal
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