Although it could be argued that Antigone is in an impossible position as well, forced to choose between obeying the will of the gods or the will of man, Haemon must choose between loyalty to his proposed wife and his father as the king of the state. His temperament is such that he is an innate compromiser. He is forced to negotiate between two people who do not believe in compromise, upon any terms.
Creon has begun a horrible chain of events. The Theban king has attempted to supplant the will of the gods, refusing to let Polynices' soul enter the underworld and be judged by the gods, thus taking on the role of the gods as judgers of men's souls as well as a judge of his citizen's actions on earth. By refusing to obey the king's orders and defy the gods, Antigone cannot act other than how she does as a pious sister.
Unless Haemon can persuade his father to go back on his word (which will make Creon look weak as a king) he is also in a 'damned' situation, with no choices at all. Haemon does the best that he can, attempting to persuade Creon of the error of his ways, but given that his unreasonable father is head of the state there is only so much he can do to alter the law of the land. Haemon is hardly a 'cry baby' but is full of grief over Antigone's inevitable death and her impossible situation and her connection to her condemned family. Haemon is also grieved to see the moral folly of his father as king, a man he can never show respect to again, after Creon has effectively murdered...
Greek tragedy strikes the contemporary audiences with the same strength it had over two and a half millennia ago. Sophocles, along with Aeschylus and Euripides are among the most famous playwrights of the Greek ancient world whose works have survived. Their plays are testimonies of the creative genius of the human mind regardless of the time, as well as of the universality of the human nature. In his dealings with
In Oedipus this may be defined as the powerlessness of human beings against preordained fate. Diction refers to the expression of meaning through words. Stylistic elements of tragedy for example may include a character's use of metaphor. Oedipus does this very eloquently throughout the play and particularly during the climax, at the end of which he blinds himself. He uses this act as a self-punishment for his foolishness, which
Clinical Psychology Dissertation - Dream Content as a Therapeutic Approach: Ego Gratification vs. Repressed Feelings An Abstract of a Dissertation Dream Content as a Therapeutic Approach: Ego Gratification vs. Repressed Feelings This study sets out to determine how dreams can be used in a therapeutic environment to discuss feelings from a dream, and how the therapist should engage the patient to discuss them to reveal the relevance of those feelings, in their present,
" James a.S. McPeek further blames Jonson for this corruption: "No one can read this dainty song to Celia without feeling that Jonson is indecorous in putting it in the mouth of such a thoroughgoing scoundrel as Volpone." Shelburne asserts that the usual view of Jonson's use of the Catullan poem is distorted by an insufficient understanding of Catullus' carmina, which comes from critics' willingness to adhere to a conventional -- yet incorrect
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