The narrator is on his "death-bed" and recognizes that his youth was good and he lived a good life. The "glowing of such fire" seems like it would relate to Hell, but really it refers to the fire and passion of youth, that burns out as people grow older, and is extinguished entirely by the time a person has lived a long life and is ready to die. He recognizes he "must expire," and that his life will be consumed by the joys and youth that nourished it when he was younger. Again, the narrator seems to be reassuring the other person, and telling them that he lived a long and good life, he enjoyed the passions of youth, and that he is now ready to die, and that death is inevitable.
This thou perceivest, which makes thy love more strong,
To love that well which thou must leave ere long
These final two lines are probably the most important in the sonnet, because they are telling the person the narrator is talking to that the narrator knows they love him, and that makes their love all the more important or "strong." He also recognizes that this person also understands what he has been trying to say, that he has lived a long, good life, and that he has been loved, and so now, it is time to leave. This understanding, "This thou perceivest," also makes their...
Shakespeare's Sonnets 18, 73, 97 Poets have often looked to nature for inspiration and as a vehicle for self-expression. Throughout his lifetime, William Shakespeare is known to have written 154 sonnets, which cover various topics such as love, mortality, and the passage of time. Of these sonnets, sonnet numbers 18, 73, and 97 incorporate seasonal symbols that allow Shakespeare to express his love, the passage of time and its effect on
Shakespeare Sonnets In both Sonnet 71 and in Sonnet 73, the narrator contemplates old age and death. Both poems use rich and dark imagery to convey the theme of human mortality, although Sonnet 73 is more filled with metaphor than 71. However, both poems are composed according to the strict rules of the poetic form: in iambic pentameter with fourteen lines organized into three quatrains and a final couplet. Iambic pentameter
Greeenblatt also points out that to truly grasp the meaning of the poem and the transience alluded to therein, readers must consider the social code for homosexual love. The Church did not tolerate sodomy and it would make sense that men would be attracted to other men considering how women were often treated as lower-class citizens. Through this "seesaw game of acknowledgment and denial" (253), Shakespeare "stages his sexual
The rhyme scheme of this sonnet follows Shakespeare's usual structure, wherein the quatrains all have an independent alternating rhyme (ABAB CDCD EFEF), and the final two lines form an heroic couplet (GG). This adds to the feeling of receiving discrete steps of an argument, and enhances the divisions of the versification. There is also a noticeable prevalence of "l's and "s's in the poem, particularly in the first and third
For the poet, Christianity must be devoid of the cultures of corruption and hypocrisy that prevailed during his time. Ideally, a religion, in order to be respected and followed by the people, must maintain a clean image -- that is, an image that reflects the truth of its teachings, wherein its religious principles are embodied by the people who make up the Church. It is also through "Canterbury" that Chaucer
Jewel Stairs' Grievance: Li PO / Ezra Pound We can assume from the poet's heritage that the speaker is an Asian woman. However, there are further contextual cues that aid in the understanding of "The Jewel Stairs' Grievance." For one, the opening line refers to "jeweled steps," which indicates a place of some wealth or importance. There is sexual innuendo throughout the poem: the dew, the gauze stockings, and the
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