Singer, Barry. "In Yiddish Music, a Return to Roots of Torment and Joy." New York Times (August 16, 1998): 32. In this article, Barry Singer notes the changes Yiddish music underwent as Jews emigrated from Europe to America, and compares the evolving nature of Yiddish folk songs during the nineteenth and twentieth centuries to more recent developments in Yiddish music. This article is useful because it allows one to trace an unbroken

Ethnic Music Humanities a) Origin and Development of Traditional and Contemporary Ethnic Music My personal experience in learning this subtopic reveals to me that music is a global cultural practice found in every known culture, both in the past and present, but with a wide variation with regards to time and place of practicing it. Since every ethnic group around the world, including some of the most secluded tribal groups, depicts their

The author then proceeds to contradict himself or herself by referring to the Black Eyed Peas as mainstream. So, are the Black Eyed Peas up-and-coming or mainstream? Moreover, the author contends that it was refreshing to have a "mainstream music group" release a song with a positive message when the music the band was not considered to be mainstream until the release of "Where is the Love?" And the

The basic materials might include tin cans, fragments of speech, a cough, canal boats chugging or natural snatches of Tibetan chant (all these are in a work called Etude Pathetique). Musical instruments are not taboo: one piece used a flute that was both played and struck. Differences in balance or performance can also be used to extend the range of materials. All of this is very similar to the way