Much of Ethiopia had become Christian by that time, holding a long tradition of Coptic Christianity from the Egyptian areas in the very early Middle Ages. The colors presented, as well as the serene nature of the characters are as poignant and emotional as any Baroque European artist. One wonders, though, if there isn't some disassociation between the indigenous cultures and the subject matter in that all the holy characters are clearly Caucasian in a land in which most worshipers are dark skinned. Exhibit 3 -- According to the museum, textiles are one of the most vivid and expressive means of artistry in Africa. The complexity and color of the garmet often reflects the person's status, and in many cases the designs on clothing are meant to have a spiritual significance and/or protect the wearer from negativity. Weaving, too, is non-gender based. Both men and women participate in the activity; from the choosing of dyes to weaving to final decoration of fabric. Due to the nature of the various climates in Africa, interesting colrations are available from a disparate sour of natural dyes made from soils, insects, animals, and vegetation. In fact, African textile art has become so advanced it...
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