¶ … Sing the Body Electric Although the 19th century is often conceptualized as a repressive era, Walt Whitman's poem "I Sing the Body Electric" crackles with sexual electricity. It celebrates the human, physical body in a very positive manner. Whitman points out some very positive physical characteristics all human beings possess. However, as you note, he also points out some very negative aspects of human physical life: "The sprawl and fullness of babes, the bosoms and heads of women, the folds of their dress, their style as we pass in the street, the contour of their shape downwards." As you note, women in particular often had a very difficult life, physically as well as emotionally speaking, in the 19th century. Middle-class women were hemmed in by corsets and constant child-bearing and lower-class women had to suffer heavy physical labor. Whitman attempts to create a complete, all-encompassing...
He sings the song of all different physical bodies -- of the body politic of America itself.Both musical genres also marked a thriving underground arts scene among not only African-Americans but also European-Americans. Whites became increasingly interested in and involved with both jazz and blues, and by the 1920s, jazz had especially made waves in Europe. As Kirchner points out, Eastern European folk music and some European classical music in fact shared much in common with American jazz. The acceptance of jazz in Europe came
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