[Yes, even human monsters that could and would eat us alive have souls.]. And it is this cannibal in a cage that slowly makes it possible for the true Clarice who is still locked-down inside her own labyrinth of psychological cages, to begin to give birth to her own scar-swaddled yet still fully authentically self. This is Hannibal's human love and his self-regeneration at once. Here in particular, Demme's implication is a feminist one. But it is also a universal one. A woman may give birth to her true self. But sometimes a man, and even the most unlikely among them at that, can help in that process, and in some cases (this is one, Demme insists) himself create the very conditions of possibility for this to take place at all.
Demme's exquisitely sensitive (perhaps even equivalent in that sense to the director) cinematographer, Tak Fujimoto shows us, especially when his camera closing in tight and still at key intervals in the plot (part of Demme's genius here is that we never see these moments coming) on Hannibal's light blue, liquid-looking eyes - beautifully luminous yet almost childish-appearing inner oceans containing (I hesitate here, but this is how I read Demme's intention for this character) love and profound human recognition of another badly tortured but still healable soul.
This is a would-be daughter, grown now but with scars that parallel Lector's own. Further, this penetratingly intelligent but non-self-reflective young woman could, despite Lector's past destructiveness, have been much akin to someone of his own flesh: springing from him instead of being destroyed by him, as so many others have been. In Clarice's own case, though, Lector need not take her into himself; his self is already, for better or worse, within her and always has been.
Hannibal's light blue eyes, especially when Fujimoto's now-gentle camera peeks shyly upward toward them and catches unawares, leveling itself off now, their soft, watery, fatherly expression as he gazes down (but less so than before), for both are now more equal and both know this) at Clarice, his eyes practically shouting, now: I SEE YOU EVEN IF YOU STILL CANNOT SEE YOURSELF AND I
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