Winslet will appear ambitious and independent while also soft enough to fall in love with a man such as Higgins. Eliza becomes increasingly emotional as the story progresses. Because the producers want to build the on-screen chemistry, Act Four is crucial. Eliza loses her temper with Higgins, who reacts with his characteristic coldness. Their mutual anger reveals an underlying tension that can only be resolved by suggesting that the

Pygmalion Effect and the Strong Women Who Prove it Wrong Make this fair statue mine…Give me the likeness of my iv'ry maid (Ovid). In Metamorphoses X, Ovid's Pygmalion prays that his idealized statue will become real. Strong female characters were a threat to Victorian sensibilities. Like the Pygmalion character in Ovid's Metamorphoses X, males in the Victorian age created ivory-like stereotypes of the ideal woman. In late nineteenth and in early

Myths and Fables in "Pygmalion" and "Sexing the Cherry" This paper discusses the use of myths and fables in the two books, 'Pygmalion' and 'Sexing the cherry' written by George Bernard Shaw and Jeanette Winterson respectively. While Shaw's play is inspired by the Greek myth of a talented sculptor Pygmalion, Winterson has used the famous fable of twelve dancing princesses as just one part of her novel and hasn't based her

Capitalism in Pygmalion and Major Barbara -- Even a socialist Shaw must bend his ideological will to real-world demands George Bernard Shaw called himself a socialist and both his plays "Pygmalion" and "Major Barbara" criticize middle class aspirations and social pretensions. The author's socialist philosophy can be seen when it expressed with a certain irony, by Henry Higgins in "Pygmalion," where Higgins comments, that Eliza's offer to pay him in shillings

1960, the world of women (especially American women) was limited in very many aspects, from the workplace to family life. American women who were employed in 1960 were largely restricted to jobs such as being nurses, teachers or secretaries. Women were in general not welcome in professional fields. Friedan's work, The Feminine Mystique, captured and detailed the lives of quite a number of housewives from across the United States

Jean Reynolds, "A New Speech," from Pygmalion's Wordplay It is difficult to fully appreciate the radical use of dialect and language for a modern American, when reading Shaw's play "Pygmalion." However, Sally Reynolds' essay upon "A New Speech," from her longer text on Shaw entitled Pygmalion's Wordplay provides a window of insight into what she calls not simply a play, but a creation myth for British English, for the author in