¶ … Satyricon and Slavery When reading Petronius' "Satyricon" it is important not to apply contemporary standards as to what it means to be a slave and what it means to be free, to the events of the text and the personages that populate the social fabric of its narrative. True, like the American antebellum South, ancient Rome was a mixed society of free and enslaved people. However, the Roman class structure of slave, freeman, and citizen was considerably more complex than one might think, and the notion of what constituted a slave quite different from a society based upon purely racial rather than social...
Satyricon Women in Satyricon Satyricon is, by modern standards, a ribald and ranging novel that deals with a variety of political, social, and psychological issues without (at least in the extant sections) fully exploring or leading to conclusions in any of the specific issues it touches upon. Gender issues represent one such specific area; though the novel is primarily concerned with male characters, male concerns, and male motivations (as well as male
169) As a result of their religious beliefs, even though not routinely practiced, the Romans, by contemporary standards, were highly superstitious. Tri-malchio routinely took extreme precautions to attempt to ward away bad luck. On the other hand, Encolpius appears less superstitious, in fact, sarcastic in regard to the posting of a slave to ensure no one trips over the dining room threshold (sec. 30) (Ruden, 2000, p. 169). Animal sacrifice,
Mastery and Female Submissiveness Prevalence of the model of mastery through female submissiveness: literary analyses of the classic works of Petronius, Apuleius, and Horace Walpole Literary works created and published in the early classical period of Western history reflects the kind of social order that prevailed during the time. Through the author's point-of-view and interpretation of his/her realities during a particular period in history, readers become knowledgeable of the conditions that
We noticed besides four figures of Marsyas, one at each corner of the tray, spouting out peppered fish-sauce over the fishes swimming in the Channel of the dish..." Cooks, servers, musicians, acrobats, butlers, maids, young men, and young women - all of whom he had complete control over their fate. For example, the readings mention the extent of Trimalchio's power when a slave makes careless mistakes in his work. Trimalchio
O Brother, Where Art Thou? Homer in Hollywood: The Coen Brothers' O Brother, Where Art Thou? Could a Hollywood filmmaker adapt Homer's Odyssey for the screen in the same way that James Joyce did for the Modernist novel? The idea of a high-art film adaptation of the Odyssey is actually at the center of the plot of Jean-Luc Godard's 1963 film Contempt, and the Alberto Moravia novel on which Godard's film is
Aulis and the Ithy-Phallos Excavation of Entranceway a-b of Pompeii's grandest single residence, the House of the Vettii, which opens onto the Vicolo dei Vettii and is positioned directly opposite the House of the Golden Cupids, revealed a somewhat astonishing wall-fresco (De Carolis, 42). The frankly obscene nature of this painting is at odds with what we might expect for an entrance hallway; it depicts Priapus, the Roman god of
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