Sappho
Bowman, L. (2004). The "women's tradition" in Greek poetry. Phoenix 58 (1), 1-27.
Bowman -- a Greek scholar at the University of Victoria in Canada, who has published on issues of women in antiquity -- addresses the question of Sappho as a specifically female poet, and how gender affects her place in the "tradition" of Greek poetry. Bowman approaches the issue from two angles. She asks first whether there was a specific female oral tradition of Greek poetry (in terms of songs sung by women and transmitted from generation to generation), and secondly in terms of a written literary tradition (including not just Sappho but those other female poets whose work survives from ancient Greece in fragmentary form, such as Corinna, Praxilla, and Nossis). Bowman notes that a female oral tradition is historically likely, based on comparable societies, but that no actual evidence exists to attest to it. As for a female literary tradition, some evidence -- such as the epitaph of the Greek woman poet Nossis, which mentions Sappho as an illustrious precursor -- suggests that there is some evidence to consider this. It is clear that Sappho and other female poets were literate and were widely read in the work of their poetic precursors (male or female). An Alexandrian Greek epigram lists nine women poets who were thought to be the equal of Homer, comparing them to the nine Muses: Sappho's name is prominent...
" Thus, some may argue that the Sappho's implication for modern gender roles is stunning, suggesting that feminism is not a modern movement, but had its roots as far back as Sappho's time. In addition to its implications for gender and all humanity, Sappho's poetry is of special significance regarding the topic of homosexuality. North writes that two important terms used by homosexual women today come from Sappho and her surroundings --
Sappho Among the famous love poets known today, few of them are women, even though women are generally considered to be the more romantic and sentimental gender. However, one of the most influential of the ancient Greek poets was in fact a woman. Sappho is still known today for her incredible influence on the direction of poetry and the passion involved in her work. Also, Sappho is famous for her unconventional
He cannot imagine killing his family and friends. Disloyalty haunts him from both directions. He would deceive his family and friends by fighting against them, but he would also deceive the Kurus by refusing to fight for their cause. He is wracked with grief over the fact that the Kuru army would even think of engaging in a war with their kinsmen. 2. What is the "embodied self"? The "embodied self"
Sappho In "That fellow strikes me as god's double," the speaker experiences unrequited love. The narrator feels an overwhelming sexual desire for a man or woman on the couch, who is coupling with a "fellow." Overwhelmed with jealousy, the speaker claims that the fellow "strikes me as god's double." The phrase "strikes me" can be taken two ways: as a figure of speech but also as a literal reference to being
From this prohibition, women like Murasaki Shikibu helped develop what would become known as classical Japanese prose. But because Murasaki wrote in a style of Japanese that was still developing from the spoken language, many of the physical gestures often associated with the spoken word make the prose seem "flowery," and overly descriptive. Women had a secondary role in society, and this was reflected in the writings of Murasaki
Sappho I think, in the hypothetical situation described, it is morally permissible for Wendy to obtain a Caesarian section by choice. The chief difficulty is that Wendy herself seems like a shallow and frivolous person, and the majority of the reasons that she offers for wanting a CSBC seem rather shallow and frivolous. Wendy's reasoning is that, as a personal trainer for other women, her body is a form of business
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