Everyday Use by a. Walker Order Alice Walker There have and are well-known authors that literature students are introduced to and discussed because of the intensity, reasons, persona, and literary devices that the authors add to works they publish. Using writing techniques, like Alice Walker has done in "Everyday Use" she originally wrote in 1973, she sets the scene from a place in her time when she was living life and facing

Instead, Wangero continues to only see that her name is a reminder that African-Americans were denied their authentic names. "I couldn't bear it any longer, being named after the people who oppress me" (53). Walker is not by any means condemning the Black Power movement when she challenges Wangero's viewpoint. Instead, she is questioning that part of this movement that does not acknowledge and, more importantly, respect the scores of

Dee is not interested in family history; she is interested in making an artistic statement. The discussion of the butter churn is merely a prelude to the big event over the quilts. The quilts are sewn together of fabrics from ancestors' clothing. This association makes them important reminders of family to Maggie and Mama. However, these two see the practical or everyday value of the items as well. Mama intends

Everyday Use by Alice Walker The thematic richness of "Everyday Use" is made possible by the perceptive, and flexible voice of the first-person narrator. It is the mother's viewpoint that permits the reader to understand both Dee and Maggie. Seen from a distance, both young women seem stereotypical - one a smart but rather ruthless college girl, the other a sweet but ineffectual homebody. The close scrutiny of the mother redeems

However what the older generation knew about the worth of heritage had somehow escaped the youth. The elders felt that adoption of culture and heritage made more sense when it had an impact on a person's way of thinking and their lifestyle. Dee, with a more modern approach towards heritage, felt an identity based on it could be adopted with the adoption of 'things' connected with her ancestors' culture. For

The solid fact that Sister has remained a fixture in the house and should have the greater claim to her mother's attention is dazzled away by the return of Stella-Rondo. The mother's indecision and vacillation is somewhat comic as she continues to insist that "I prefer to take my children's word for anything when it's humanly possible" (5). Deciding which child to believe is her character's conflict. Because Welty