Run for Your Wife
Ray Cooney's Run for Your Wife through Philosophical Inquiry
Run for Your Wife is a British farce written by Ray Cooney who also played the main protagonist, John Smith, in the play in theater performances in Britain in the 1980s. The play explores numerous issues ranging from ethics, polygamy, and faithfulness to the aesthetics of British culture in the 1950s. The whole play, however, is a farce and sometimes acts in the play seem to be mindless, performed just for the sake of humor although some forms of humor used in the play also seem to be bland. One way to make sense of the play is to explore it through branches of philosophy such as metaphysics and epistemology. Both of these branches of knowledge ultimately suggest that there is subjectivity and relativity in our ways of knowing. This may be useful in understanding Run for Your Wife since the play presents acts that seem farcical or mindless primarily because of our general perception of how things should be. In this paper, I will briefly summarize the plot of Run for Your Wife, define metaphysics and epistemology, and how these branches of philosophy can expand our understanding of things around us.
Run for Your Wife features a man named John Smith, a taxi driver, who is having a nightmarish morning. John saved a woman from three muggers the night before but in the confusion of the moment, the woman hit John with a handbag. The injury resulted from the hit forced John to a hospital for minor treatment. Again in the midst of confusion, John provides the hospital and the police with two different home addresses. That might seem as an honest mistake or just a case of one person having two addresses, but it turns out John has a wife living in each of the places. John is a bigamist. From being a hero just minutes ago, John turns into an object of growing suspicion and distrust.
One of his wives, Barbara Smith, lives in Streatham, while the other, Mary Smith, lives in Wimbledon. One wife thinks John works the night shift and the other thinks he works the early shift. John has been able to hide his bigamy from both of his wives by concocting white lies and being extraordinarily exact with his timetable. The scenario that took John to the hospital made it impossible for him to maintain his precise schedule. So, both of his wives are baffled and call the police to inquire about the whereabouts of John's. The rest of the play is revolved around John trying to hide his little secret and prevent two of his wives from meeting each other. Stanley Gardener, John's neighbor, tries to help him. The other two main characters are detectives Sergeant Troughton and Sergeant Porterhouse. The whole play takes in a farcical manner. People keep mistaking one for another. One wife at a moment is mistaken for a nun, while the other for a transvestite. Almost everyone seems to be obsessed with sex, and the question of homosexuality is also explored through John's character.
Although these acts seem to be mindless at times, there are numerous social issues explored in these scenes. Both Mary and Barbara describe John as an ordinary man. So, is he not different from any other man in his society? Does this mean that ordinary men can be unfaithful and/or polygamous? Or is John an exception? In another instance, John pretends to be a homosexual in his farcical attempts to hide his bigamous secret. Does that mean that homosexuality is considered more acceptable than bigamy? Or is it still not? Why does Stanley try to help his buddy out? Does he have a similar secret? Or does he just admire John's courage and in his fantasy wants to be like John? Once again, the question is whether John is any different from other men. Why do the detectives who consider John a hero first and then quickly start treating him with less respect, almost forgetting about John's feat? Is this the reflection of law enforcement agencies which may consider one a hero today and then a villain tomorrow? Or is this the reflection of the society that flips and flops easily? These are some but a few critical questions one may keep in mind while watching the drama unfold in Run for Your Wife.
To better appreciate the seeming mindlessness or ostensible lack of logic in Run for Your Wife, it might be useful to explore the play through deep philosophy. Metaphysics, first codified by Aristotle and refined by other philosophers, may be of help here. Metaphysics,...
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