Romeo and Juliet
Love and Hate in Romeo and Juliet
Shakespeare's Romeo and Juliet is a play about both love and hate, and can be viewed as both a comedy and a tragedy. The comic structure according to the ancients was social in nature and ended with the restoration of social order. Tragedy was personal -- it was used primarily, as Aristotle said, to effect a kind of catharsis (or cleansing of the emotions) through the witnessing of a great man falling. Romeo and Juliet employs two structures to show the struggle between love and hate. Love, Shakespeare suggests, is ultimately more important, as the feuding Capulets and Montagues show at the play's conclusion, "burying their strife," finally, with the death of their children. The hatred between the two families, however, adds the tragic element to the drama -- it is the hero's and the heroine's deaths that bring the families together. This paper will show how love in Rome and Juliet is Shakespeare's antidote to the poison...
Romeo and Juliet: A Tale of Love and Anxiety Shakespeare's story of Romeo and Juliet is often accepted as the tragic story of two lovers who cannot be together. Romeo is part of the Montague family, which has a long history of feuding with Juliet's family, the Capulets. Romeo and Juliet meet and instantly fall in love. The tragedy is that they cannot be together because of their feuding families. In
Like Romeo, Juliet believes that the only solution is committing suicide, but the Friar tells her of a secret potion, a drug that will make her only appear dead for almost two days. The Friar tells Juliet to take it the night before her wedding. Meanwhile, he will send a note to Romeo to tell him about this secret plan. For Juliet, this appears to be the only plan that
Juliet's speeches to the Friar after learning that she must marry Paris in a week's time indicate this as she lists the horrors she would rather endure: "bid me leap... / From off the battlements of any tower...lurk / Where serpents are; chain me with roaring bears..." (Riverside 1130, IV.i. 77-80). She continues in much the same vein, and this is not her only moment of such emotional extremity.
Tragic Motivation in Romeo and Juliet and the Life and Death of Richard III One may argue that people behave the way they do based on their motivations, which can be complicated and interwoven in the psyche of human nature. Often, simplifying what motivates people helps define those motivations, such as the examination of good and evil, or love and hate. Engaging characters developed by authors to tell compelling stories often
" Perhaps because of this reference to contemporary political ideals, the romance of Shakespeare seems more archetypal than the immediately relevant sociological commentary of "West Side Story." Bernstein's musical is unapologetically topical, dealing with the 1950s obsession with juvenile delinquency and even common theories to explain it, as in the song "Gee Officer Krupkie" which suggests alternatively that delinquency is caused by society, psychology, and also a young thug being "no
Romeo and Juliet" by William Shakespeare. Specifically it will discuss the influence on the lovers' lives of destiny or fate. In the productions of "Romeo and Juliet," the two main characters' personal choices cannot defy their destiny (or fate) that is written in the stars. Nor does the feud between the two families justify their ultimate actions. Romeo and Juliet are fated lovers, and all of these productions make that
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