Romeo and Juliet: A Tale of Love and Anxiety
Shakespeare's story of Romeo and Juliet is often accepted as the tragic story of two lovers who cannot be together. Romeo is part of the Montague family, which has a long history of feuding with Juliet's family, the Capulets. Romeo and Juliet meet and instantly fall in love. The tragedy is that they cannot be together because of their feuding families. In their attempt to escape their families and be together, they both end up tragically dying. In this view of the story as the tragic tale of two lovers, it is accepted that Romeo and Juliet are simply destined to be together and cannot ignore the love they have for each other. While this is a commonly accepted view of the story, it is not the only way the story can be seen. The characters of Romeo and Juliet can also be considered on a psychological level, with this analysis looking deeper at the real reasons for their decisions and their behavior. If Romeo and Juliet are considered in this way, it can be seen that the story is not one of star-crossed lovers, but one of two teenagers trying to deal with the anxiety in their lives. Romeo and Juliet will now be considered from this psychological perspective, with this analysis showing that their story is one that deals with love and anxiety.
One of the first critical points in understanding Romeo is that Juliet is not the first woman he has been in love with. In the first scene he describes his love for Rosaline. Most importantly, like Juliet, Rosaline is also a Capulet. In the first scene, Romeo describes how Rosaline is sworn to chastity saying, "Well, in that hit you miss: she'll not be hit / With Cupid's arrow; she hath Dian's wit; / And, in strong proof of chastity well arm'd, / From love's weak childish bow she lives unharm'd" (I, i 206-209). This shows that Romeo has selected a person to love that is a completely unsuitable match for him. It is also important that Romeo speaks as if his love is pure and will never die. When Benvolio urges Romeo to forget about her, Romeo replies that he could not possibly forget her because he loves her too much. Considering that Rosaline has shown no interest in Romeo and that they do not have a real relationship, it is suggested that Romeo is inventing his sense of deep love. This is further suggested when Romeo meets Juliet and instantly forgets about Rosaline and transfers all his feelings of love to Juliet. Reading Romeo and Juliet as a love story, it could be argued that Romeo forgets about Rosaline because he experiences real love when he sees Juliet. However, on seeing Juliet, he decided that he loves her intensely without even knowing her. In fact, the only thing he does know about Juliet is that she is a Capulet. This suggests that Romeo desperately wants to love a Capulet.
The meeting between Romeo and Juliet is worth looking at in more detail. On seeing Juliet for the first time, Romeo focuses on her beauty at first, "O, she doth teach the torches to burn bright! / It seems she hangs upon the cheek of night / Like a rich jewel in an Ethiope's ear; / Beauty too rich for use, for earth too dear!" (I, v 44-47). In this statement, Romeo describes Juliet's beauty in terms that go far beyond what would be expected. Certainly, Juliet may be attractive, and Romeo may be attracted by the beauty, but referring to her beauty as being the source of light and something beyond the earth suggests that Romeo is being more imaginative than factual. It is also important that Romeo immediately uses references to light and dark, where Juliet brings light to his life. This is something that continues throughout the play. If it is considered that light represents good and dark represents evil, then it is seen that Romeo immediately sees Juliet as taking him out of evil and into goodness. Romeo then finishes his statement with the lines, "Did my heart love till now? forswear it, sight! / For I ne'er saw true beauty till this night" (I, v 52-53). Romeo is now stating that he is in love with Juliet, simply by glancing at her. While it could be argued that it is a case of love at first sight, this seems unlikely....
This makes the film Juliet seem more mature and alienated, although the cinematic portrait of Romeo as somewhat estranged from his boisterous male friends, such as Mercutio's dim view of women, is consistent with Shakespeare's portrait. However, in the Renaissance Shakespeare, Romeo does not attempt to physically touch Juliet in the first balcony scene. In the film the more 'knowing' lovers soon transgress the physical boundaries of the balcony. The
Romeo and Juliet William Shakespeare's Romeo and Juliet is considered the epitome of romantic text. When someone talks about doomed love or true love, they always go back to Romeo and his paramour. So much is made of the love story between the two, that the tragedy of the events has come to be misinterpreted as adding to the romance. With this misunderstanding has become this notion that Romeo and Juliet
Shakespeare is pointing out how normal these two are. They find love and they experience the good side of love. They bask in the passion and desire more. The truly sad aspect of love is that it cannot be good all of the time. In fact, many would argue that love would not be as good as it is without pain. Love does not stay good all the time for
" Perhaps because of this reference to contemporary political ideals, the romance of Shakespeare seems more archetypal than the immediately relevant sociological commentary of "West Side Story." Bernstein's musical is unapologetically topical, dealing with the 1950s obsession with juvenile delinquency and even common theories to explain it, as in the song "Gee Officer Krupkie" which suggests alternatively that delinquency is caused by society, psychology, and also a young thug being "no
Romeo and Juliet" by William Shakespeare. Specifically it will discuss the influence on the lovers' lives of destiny or fate. In the productions of "Romeo and Juliet," the two main characters' personal choices cannot defy their destiny (or fate) that is written in the stars. Nor does the feud between the two families justify their ultimate actions. Romeo and Juliet are fated lovers, and all of these productions make that
Critic Bloom continues, "But it could be said also that the audience would understand that Romeo, as a lover-hero, really belongs to another religion, the religion of love, which doesn't collide with Christianity or prevent him from confessing to Friar Laurence, but nonetheless has different standards of what's good and bad" (Bloom 2000, 159). Thus, a strong love like Romeo and Julie profess for each other, is like a
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