E. The voices who argue that America should and could be an imperial superpower, but lacks sound practical judgment. The thesis of this paper is that the history of the Roman Empire can be matched to that of the United States in terms of economy, political power, as well as aspirations. In this sense, present day America is very similar to fourth of even fifth century Rome; this poses one stringent

Liturgical Use of Visual Arts and Paganism Christian art's rich history goes as far back as the 3rd century A.D. Ever since the first paintings were done on catacomb walls, Christians have endeavored to use visible means for expressing the invisible Almighty. Despite Christianity's origins lying in Judaism, which forbids such imagery, the Incarnation concept made it essential to image God's human face in Jesus. The intent was never portraiture.

Athena Sculpture The Hope Athena Sculpture History According to the Greek mythology, the people that resided in a place called Attica (Greece) derived the name to the current, capital city of Greece (Athens) in honor of the Goddess Athena. People from Athens built a brilliant temple on the Acropolis, which they then called the Parthenon. The word 'Parthenos' stands for maiden when translated into Greek. An ancient myth stated that the gods

Cubism and Sculpture Cubism as an artistic style and movement began as a revolt against the traditions and the artistic norms of previous centuries. Cubist painters and sculptors like Picasso rejected many of the formally accepted elements of art. These elements included texture, color, subject matter, light as a means of determining form as well as movement and atmosphere. The rejection of representation was also a major aspect of the

Artistic Representations of the Divine and Patronage During the Renaissance: Patronage in the Relationship of Julius II and Michelangelo The nature of Catholic art during the Renaissance period, as manifested in the mutually beneficial though sometimes antagonistic relationship of patronage between the artists and popes of the period, can never simply be understood an expression of the individual art's vision of Jesus Christ, or even of an individual vision's expression in the

St. Madeleine Church Roman Architecture Romanesque art and architecture was the true depiction of mediaeval Christian art and was in full boom in the 12th century. The term Romanesque, points to the principal source of the style and the buildings of the Roman Empire. In addition to classical elements, however, Roman church architecture is derived from components of Byzantine and Eastern origin. French Architecture French Romanesque architecture is characterized by (French Architecture) 1 various