¶ … Faustus, as Christopher Marlowe's character, is a German scholar who wants to exceed the limits of traditional logic, medicine, law and religion by practicing black magic. Through this, he calls upon Mephistopheles, a demon, who arranges a deal between Faustus and Lucifer for 24 years of power and glory in exchange for his soul. Despite Mephistopheles' warnings about the horrors of hell and his own doubts about what the deal really means, Faustus persists in the decision to enter into the bargain, which he signs in his own blood. Rich gifts and displays of pleasure from Mephistopheles and Lucifer, though, distract his doubts and lull his senses and reason, in addition to Mephistopheles' impressive information about the nature of the universe. The parade of the seven deadly sins particularly wins Faustus' mind and will. In the fulfillment of their end of the bargain, Mephistopheles takes Faustus to Rome, the court of Charles V and the court of the Duke of Vanholt (Sparknotes 2004).
Dread and remorse fill him as the agreed 24 years come to an end. He is urged to repent but he refuses and, instead, conjures the spirit of Helen of Troy to dazzle him out of that dread. Towards the end, he pleads for mercy but time has run out when he begs for mercy because it is too late. At midnight, demons hail off with his soul (e-text 1997).
The seven deadly sins are pride, wrath or anger, envy, avarice or greed, gluttony, sloth, and impurity (Finnan 1998) and these are revealed by the Word of God, although not in a straight list as they are identified and named. These seven sins are called deadly in that they evoke God's justice and punishment more severely than other sins. Of these deadly ones, pride offends God the most. The Proverbs and the Psalms (NIV) say that the "proud of heart" will not be endured or go unpunished; proof is that destruction follows it as a fall follows a haughty spirit. It is the deadliest and most severely punished sin. It was pride that drove the brightest angel, Lucifer, or the "Morning Star," to rebel against God.
Pride is undue self-esteem or superiority (Finnan 1998). Webster's dictionary describes its manifestations as "lofty airs, distance, reserve and... In contempt of others, is insolent, rude and lashes out with oppressive treatment of others." Pride, arrogance or haughtiness shows itself from the fallen sinful and rebellious heart that bases its superiority on looks, race, religion, social life or status, intellectual capacity or achievements (Finnan). The Biblical Way of Life Encyclopedia says that pride in the selfish and sinful heart and it will be brought low (Prov 11:2, 16:18, 29:23); results in quarrels and contention (Prov 13:10), hardens the mind (Daniel 5:20) and leads one to be deceived (Obad. 3). Un-repented pride brings on heartache, destruction and death (Finnan) and, in any of its forms, pride hinders a person from entering the kingdom of God because it puts himself or herself in place of God.
Dr. Faustus already possesses much knowledge, but he desires not only excellence but also the ability to control other lives and nature itself. He resorts to the occult in seizing spiritual power over men and matter. In doing so, he needs to ally with the powers of darkness who made the original attempt to dislodge the Almighty as the Ruler of the universe. Faustus, like the first rebellious spirits, will not obey or bow down to God. He wants his own way about things and, in pursuit of this, he trades off his only soul to Lucifer in exchange for 24 years of unbridled power, pleasure, and other carnal satisfactions (Marlowe etext #811-1997).
Like most mortals, Faustus experiences moral uneasiness when his wish is granted by Lucifer through Mephistopheles and at other times that his conscience accuses him. But unlike most mortals, he persists in his self-indulgence and self-worship as a replacement for the worship of the one, true...
It seems to her, says Flaubert, that her being, rising toward God, is going to be annihilated in love like burning incense that dissipates in vapor. But her response during this phenomenon remains curiously erotic... The waving of the green palm leaves relates this scene to the previous scenes of sexual seduction. (Duncan para, 5) At times, the green in the novel moves from springtime to the idea of the
" James a.S. McPeek further blames Jonson for this corruption: "No one can read this dainty song to Celia without feeling that Jonson is indecorous in putting it in the mouth of such a thoroughgoing scoundrel as Volpone." Shelburne asserts that the usual view of Jonson's use of the Catullan poem is distorted by an insufficient understanding of Catullus' carmina, which comes from critics' willingness to adhere to a conventional -- yet incorrect
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