The remainder of the poem assumes a more regularly rhythmic form, although the meter is not strict. Some of the remaining lines and stanzas follow an iambic hexameter, such as stanza three. However, many of the lines are in anapestic hexameter, or contain combinations of various meters. The poet inserts dactylic and anapestic feet along with iambic and also trochaic ones for intensity and variation, much as one would read a bedside story to a child.
Throughout the poem/story the narrator uses active voice, encouraging the listener to become further absorbed in the tale. Moreover, the active voice dramatizes the personification of the wind and window flower, the male and female protagonists in the tale. For instance, "He marked her through the pane," (line 9). When the speaker addresses the audience he uses imperative verbs: "Lovers, forget your love," (line 1). Although the wind performs most of the action in the poem, the flower is more like the hero in her passive, peaceful form of victory: "But the flower leaned aside... / and morning found the breeze / a hundred miles away," (lines 25; 27-28). In the last two lines of the poem, moreover, the fierce winter wind becomes once again a mere "breeze," as he was at the onset of the poem. As a breeze, he seems harmless, even kind, a far cry from his being "Concerned with ice and snow, / Dead weeds and unmated birds, / and little of love could know," (lines 14-16).
Frost's Poetry And Landscape The Rise of Modernist Poetry Between the years of 1912 and 1914 the entire temper of the American arts changed. America's cultural coming-of-age occurred and writing in the U.S. moved from a period entitled traditional to modernized. It seems as though everywhere, in that Year of 1913, barriers went down and People reached each other who had never been in touch before; there were all sorts of new
Apparently Plath wrote the poem during her stay in the hospital, which can be a depressing place notwithstanding all the nurses and orderlies dressed in white. The appendectomy followed a miscarriage that Plath had suffered through, so given those realities in the poet's life -- especially for a woman to lose a child she had been carrying -- one can identify with the bleak nature of the poem. Confronted
Tom Shulich ("ColtishHum") A comparative study on the theme of fascination with and repulsion from Otherness in Song of Kali by Dan Simmons and in the City of Joy by Dominique Lapierre ABSRACT In this chapter, I examine similarities and differences between The City of Joy by Dominique Lapierre (1985) and Song of Kali by Dan Simmons (1985) with regard to the themes of the Western journalistic observer of the Oriental Other, and
And indeed life was like the churning and stinking of the butter-making process. "Brains turned crystals full of clean deal churns"; this is the poet saying that living and thinking was a process like making butter; you have to have something of substance to begin with, then you have to make sure it is "clean" and finally, it is complete. Poetic form "is both the ship and the anchor," Heaney stated
Dylan Thomas Understanding a poem is a matter of first and foremost understanding the poet. The individual poet's choice of words and emotions which grab the reader, make a connection, and then deliver an emotional message which leaves a lasting message can be achieved through a number of techniques. But the poet who achieves a lasting memory in the minds of hearts of his readers is a person who approached the
That is why I became Treasurer of the Wives Club, out of gratefulness for this extended family. I know many people of my generation struggle to find 'who they are' but the structure of the military offers a potent and compelling answer to that question. To serve means always to be at home amongst people who understand exactly what you are going through: "Home is the place where, when
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