Robert Frost
Both of Robert Frost's poems, "The Road Not Taken," and "Stopping by Woods on a Snowy Evening" use natural imagery to illustrate the narrator's train of thought. However, the theme and tone of the two poems differ. In "The Road Not Taken," the narrator is caught at a crossroads. The poem deals with the difficulties of the decision he faces, and the mild regret that he experiences once he chooses a certain path. On the other hand, "Stopping by Woods on a Snowy Evening" demonstrates decisive thought. The author clearly chooses to take a rest and watch the glory of the snow filling up the woods. Although his horse beckons him to leave, the narrator remains in awe of his natural surroundings and happy that he has had the opportunity to enjoy experiencing nature. In "Stopping By Woods on a Snowy Evening," the author also indicates that he has "promises to keep," which compel him to continue on his journey. In "The Road Not Taken," the author does not indicate any impetus to take either road and he has no promises to keep; both roads have something to offer. As a result, the author wonders what he would have encountered on the "road not taken." In both cases, the narrator is driven by fate: in "The Road Not Taken," his fate is determined by the path he chose that day in the woods, while in "Stopping by Woods on a Snowy Evening," the narrator's promises determine how long he lingers.
In both poems, the author is deep in thought and ponders how his present decisions will affect the future. For example,...
Both Mary and Warren are thinking that Silas thought of them as family and their land as his home. Warren mocks her when she said Silas has come home and she responses with Yes, what else but home? It all depends on what you mean by home. Of course he's nothing to us, any more than was the hound that came a stranger to us out of the woods,
One study published in the American Psychiatric Association found that "PTSD has been shown to predict poor health not only in veterans of the 1991 Gulf War but also in veterans of World War II and the Korean War. Our study extends these findings in a group of active duty soldiers returning from recent combat deployment to Iraq, confirming the strong association between PTSD and the indicators of physical
Robert Frost's famous poem, "Birches," might be described as a poem of redemptive realism, a poem that offers a loving, yet tinged-by-the-tragic view of life as seen through the metaphors of nature. In fact, Robert Frost could be called a kind of subversive pastoralist, for unlike the romantic nature poets who preceded him, such as Wordsworth, he sees nature's wildness, her beauty, and yet her relentless harshness as well. The
Robert Frost and "Waterfront" by Roo Borson truly do explore similar subject matter, yet in entirely distinct manners. The different approach that each author takes is apparent in their differing uses of tone, structure, imagery, language and point-of-view. Robert Frost's poem "Neither Out Far Nor in Deep" has a distinctive rhythm which is contained and deliberate. The rhythm of the poem seeks to emulate the rhythmic slapping sounds of the
Robert Frost's "Nothing Gold Can Stay." Deconstructionism is the reasons the poetry have meaning to the reader and the author. What are the biases in the poem? THE ROAD NOT TAKEN Robert Frost wrote the poem, "Nothing Gold Can Stay." Robert Frost's poem discusses nature's color of gold. He states that nature's first green as gold. Deconstructionism is taking a poem and applying it to life. "All of life is text
Frost and Yeats The poems "Sailing to Byzantium" by William Butler Yates and "Birches" by Robert Frost both tell narratives about one generation and how the death of the old is what allows the present generation to thrive. Whereas Yates uses a narrator describing the evolving mental state of a man who knows that he is not long for this earth, Frost uses the degradation of the forests over time to
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