Richard III and Macbeth
In the plays of William Shakespeare, certain themes seem to appear over and over again. In both the stories of Richard III and Macbeth, very ambitious men use nefarious means in order to achieve leadership of their countries. Each man is in line for the throne, but has to deal with other people who are closer to the crown than he is. So, the title character takes it upon him to eliminate all the people who stand between him and ultimate power. It doesn't matter if they are family members or friends. Anyone who stands in the way is done away with either through murder or by framing the person for murder. What often happens when a man or woman uses bloodshed to get ahead in the world is that the deaths come back to haunt them, often in a physical form. This haunting, whether real or imaginary always precedes the character's eventual fall and death.
In Richard III, the title character wakes from a dream before he goes to do battle with his enemy Richmond. In the dream, he sees all the ghosts of the people he has either directly murdered or who he helped destroy through his actions. Upon waking, the king delivers a soliloquy in which he tries to justify his actions to himself and the viewing audience. Through-out the story, Richard has been able to manipulate everyone around him. Those that he could not manipulate, he had taken care of. However, as the people take up arms against him, Richard becomes aware that he is losing control even though he is the king. He cannot manipulate the people as he was able to do earlier on. Instead he has to rely more and more on violence to achieve his ends. In the passage, he vacillates between regretting his actions and calling himself a villain to declaring himself the rightful...
The above perception of the insanity of life is not at all apparent in the second painting of Georges Seurat. While it is mystical, it gives too much quiescence that is there with the impressionistic style. This like Picasso's painting above is a happy trip and does not exhibit as much negative energy as Picasso. He also does not seem to be trying to summon any primitive energies. Rather Seurat's
Art "Sacrifice of Isaac" Analysis This paper will focus upon Lorenzo Ghiberti and one of his artistic works called "Sacrifice of Isaac." The paper will provide a context within which to explain and evaluate this sculpture. Referencing art history, world history, and the artist's personal history, the paper will explore and analyze "Sacrifice of Isaac" as a seminal work of a famous artist that serves as a masterpiece representing the entire artistic
Art Culture: Public Space Art Public art like that of Koon's Train (2011), Serra's Tilted Arc (1981), Lin's Vietnam Veterans Memorial (1981), and James' Sea Flower (1978), ignite discussion to the point of its modification, re-arrangement, or removal. The reason for this controversial treatment of public art is its ability to embrace a variety of aesthetic practices. The adoption of different aesthetic values like poster art, outdoor sculpture, earthworks, multimedia projections,
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