While I agree with all of the points that Kaimal makes, I was most interested in her examination of the way in which a single writer -- indeed, a single essay -- can have such a dramatic influence on the way in which art is seen. Coomaraswamy's writing seems to me -- admittedly many generations after he wrote it -- to be rather underwhelming, short on substance and long on rather overly elaborate style. His vision of India is startlingly -- given his own biography -- Orientalist and certainly Romantic. His vision of Shiva (and therefore one might guess of India) is in some ways an overly subtle one: By emphasizing the way in which Hindu thought and iconography posits the constant and simultaneous creation-destruction-recreation of the universe, Coomaraswamy is emphasizing the most metaphysical aspects of Hinduism. This is...
In other words, he projected onto Shiva's image the image that he wished to see in his own mirror. (Of course, it is not quite this simple, but there is certainly much of this in it.)
Ring of Fire is a swampland in Northern Ontario. The area, found within an aboriginal area, consists of boreal forest, lakes, and rivers. This area is covered by a treaty and is protected under Canadian aboriginal law. In 2006, large deposits of minerals were uncovered leading mineralogists to reach the conclusion that there would be large, deep deposits of Chromite, a key ingredient in stainless steel. With this discovery, it
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Frodo cannot resist the Ring, and only the forces of chance and circumstance can separate him from it. While some individuals are more easily and swiftly affected by the Ring, like Gollum, no one, not even Bilbo Baggins can fully divest themselves of the desires it sparks in their hearts. Even Sam, the most stalwart and stable of all of the characters knows: "He himself, though only for a
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