Advertising
Applying Goffman to Modern Advertisements
Goffman and Gender Commercials
Goffman contends that the selection of commercial pictures in advertisements is intentional and serves a specific agenda that is not in service to consumers' well-being or natural interests. He argues this facet of culture is ripe for analysis with respect to topics such as sexuality, gender, power, the means of production, and social reality, among others. His strongest assertions concerns how analysis of the selection of commercial pictures reveals keen insights when comparing them to behavioral practices as experience in everyday interactions. Goffman grounds his hypotheses in concrete methodological practices, with primary aims to locate and define discovery, proof, and presentation. Grounding is his research in established methodology keeps opposition from arguing that his findings and conclusions are wild-eyed, paranoid theories that undermine American culture or the American way of life. He claims that the kind of analysis he proposes can be performed by the most naive or the most sophisticated consumer.
2. The Analysis
A. The name of the magazine is W. The issue is "The Big Fashion Issue" from September 2011.
B. Definitions & Categories:
a) The Feminine Touch (see pp. 29-31) -- The second advertisement in the magazine is for a lipstick from Estee...
Gender and Ads In "Gender Advertisements," Erving Goffman argues that gender is a pervasive theme in modern advertising. The theme of gender is critical to advertisements because of the universal nature of gender, and because personal identity is inextricably linked with gender. Consumer behavior will be motivated best by advertisers skillful in exploiting the gender construct. Goffman shows that advertisements both create and reflect gender norms. By constructing an exaggerated patriarchy
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